Hoch über Innsbruck befindet sich die Wallfahrtskirche zur Heiligen Theresia vom Kinde Jesu. Der private Verein Mariabrunn built a chapel around a relic and an image of St Theresa in the 1920s. Theresa of Lisieux had died of tuberculosis only a few years earlier after a short but all the more pious life and had been canonised by Pius X at lightning speed. The large number of pilgrims asking St Theresa for help made it necessary to build a church.

In 1931, the association organised a competition, which was won by architect Wilhelm Stigler (1903 - 1976). He was able to prevail in the competition with his design against masters such as Clemens Holzmeister and Franz Baumann. However, as his project plan exceeded the meagre funds available for construction in the post-war period, Siegfried Thurner's design, which was somewhat more economical, was realised.

The cubic building was designed in the New Objectivity style in keeping with the spirit of the times. The Romanesque-style church with its striking tower is connected to the small Carmelite monastery via a garden. The interior of the church is particularly worth seeing. In 1935, the artist Ernst Nepo (1895 - 1971) created the fresco of St Theresa above the entrance. After the war, his involvement in the completion of the church was no longer desired, as the early National Socialist had already had a picture of the Führer made in 1937, which had been presented to him personally by the Tyrolean Nazi women's organisation for his birthday.

In his place, the Tyrolean artist Max Weiler (1910 - 2001) continued the work from 1946 onwards in order to see the nave of the church decorated in time for the 150th anniversary of the renewal of the Sacred Heart Society of 1796 in the province of Tyrol. The artist, who was still less well-known at the time, managed to complete four paintings. "Die Verehrung des Herzens Jesu“, „Die Herz-Jesu-Sonne“, „Johannesminne und Ölberg“ and „Der Lanzenstich" could be completed before it came to a scandal. The image of the Sacred Heart of Jesus was given the name "Pfaffenkarussell".

With the result, especially the portrait of the "Lance stitch", the general public was less than satisfied, as it showed the bystanders around the crucified man in traditional Tyrolean peasant dress during his last breath. It is probably no coincidence that one of the men under the cross is reminiscent of Adolf Hitler, while a Tyrolean marksman pierces the Saviour's flank with his spear. A naked Venus had to be demurely painted over with clothes in order to reduce the initial popular anger, which ultimately even led to a lawsuit by a farmer from Kössen who saw it as a disturbance of religion and order. Threats were made against the work and the artists. The Farmers' Union and parts of the Tyrolean clergy were even able to force the Vatican to intervene.

After consultation between the Holy See and the Tyrolean Bishop Paulus Rusch, a strict judgement was issued: the completion of the cycle planned by Weiler was forbidden and the sketches were never executed. The public outrage of many conservative Christians, who were able to assert themselves in conservative Tyrol in the second half of the 20th century, was too great. For ten years, the works of art, now the pride and joy of the church, remained hidden from the eyes of the general public, covered with a cloth.

In the 1950s, Innsbruck began to recover from the crisis and war years of the first half of the 20th century. On 15 May 1955, Federal Chancellor Leopold Figl declared with the famous words "Austria is free" and the signing of the State Treaty officially marked the political turning point. In many households, the "political turnaround" became established in the years known as Economic miracle moderate prosperity in the years that went down in history. This period not only brought material change, but also social change. People's desires became more outlandish as prosperity increased and the lifestyle conveyed in advertising and the media became more sophisticated. The phenomenon of a new youth culture began to spread gently amidst the grey society of post-war Austria. The terms Teenager and latchkey child entered the Austrian language in the 1950s.

Films brought the big world to Innsbruck. Cinema screenings and cinemas already existed in Innsbruck at the turn of the century, but in the post-war period the programme was adapted to a young audience for the first time. Hardly anyone had a television set in their living room and the programme was meagre. The Chamber light theatre in Wilhelm-Greilstraße, the Laurin cinema in the Gumppstraße, the Central cinema in Maria-Theresienstraße, which Löwen-Lichtspiele in the Höttingergasse and the Leocinema of the Catholic Workers' Association in Anichstraße courted the public's favour with scandalous films.

1956 saw the publication of the magazine BRAVO. For the first time, there was a medium that was orientated towards the interests of young people. The first issue featured Marylin Monroe, including the question: Did Marylin's curves get married too? The big stars of the early years were James Dean and Peter Kraus, before the Beatles took over in the 1960s. After the Summer of Love Dr Sommer explained about love and sex. The first photo love story with bare breasts did not follow until 1982.

Bars, discos, nightclubs, pubs and event venues gradually opened in Innsbruck. Events such as the 5 o'clock tea dance at the Sporthotel Igls attracted young people looking for a mate. Establishments such as the Falconry cellar in the Gilmstraße, the Uptown Jazzsalon in Hötting, the Clima Club in Saggen, the Scotch Club in the Angerzellgasse and the Tangent in Bruneckerstraße had nothing in common with the traditional Tyrolean beer and wine bar. The performances by the Rolling Stones and Deep Purple in the Olympic Hall in 1973 were the high point of Innsbruck's spring awakening for the time being. Innsbruck may not have become London or San Francisco, but it had at least breathed a breath of rock'n'roll.

However, the vast majority of the social life of the city's young people did not take place in disreputable dives, but in the orderly channels of Catholic youth organisations. What is still anchored in cultural memory today as the '68 movement took place in the Holy Land did not take place. Neither workers nor students took to the barricades. Beethoven's wisdom that "As long as the Austrians still have brown beer and sausages, they won't revolt," was true.

Nevertheless, society was quietly and secretly changing. A look at the annual charts gives an indication of this. In 1964, it was still Chaplain Alfred Flury and Freddy with "Leave the little things“ and „Give me your word" and the Beatles with their German version of "Come, give me your hand", which dominated the Top 10, musical tastes changed in the years leading up to the 1970s. Peter Alexander and Mireille Mathieu were still to be found in the charts. From 1967, however, it was international bands with foreign-language lyrics such as The Rolling Stones, Tom Jones, The Monkees, Scott McKenzie, Adriano Celentano and Simon and Garfunkel, some of whom had socially critical lyrics, that occupied the top positions in large numbers.

The spearhead of the conservative counter-revolution was the Innsbruck bishop Paulus Rusch. Cigarettes, alcohol, overly permissive fashion, holidays abroad, working women, nightclubs, premarital sex, the 40-hour week, Sunday sporting events, dance evenings, mixed sex in school and leisure - all of these were strictly forbidden to the strict churchman and follower of the Sacred Heart cult.

Peter Paul Rusch was born in Munich in 1903 and grew up in Vorarlberg as the youngest of three children in a middle-class household. Both parents and his older sister died of tuberculosis before he reached adulthood. At the young age of 17, Rusch had to fend for himself in the meagre post-war period. Inflation had eaten up his father's inheritance, which could have financed his studies, in no time at all. Rusch worked for six years at the Bank for Tyrol and Vorarlbergin order to finance his theological studies. He entered the Collegium Canisianum in 1927 and was ordained a priest of the Jesuit order six years later. His stellar career took the intelligent young man first to Lech and Hohenems as chaplain and then back to Innsbruck as head of the seminary. Here he became titular bishop of Lykopolis in 1938, Innsbruck only becoming its own diocese in 1964, and Apostolic Administrator for Tyrol and Vorarlberg. As the youngest bishop in Europe, he had to survive the harassment of the church by the National Socialist rulers. Although his critical attitude towards National Socialism was well known, Rusch himself was never imprisoned. Those in power were too afraid of turning the popular young bishop into a martyr.

After the war, the socially and politically committed bishop was at the forefront of reconstruction efforts. He wanted the church to have more influence on people's everyday lives again. His father had worked his way up from carpenter to architect and probably gave him a soft spot for the building industry. He also had his own experience at BTV. Thanks to his training as a banker, Rusch recognised the opportunities for the church to get involved and make a name for itself as a helper in times of need. It was not only the churches that had been damaged in the war that were rebuilt. The Catholic Youth under Rusch's leadership, was involved free of charge in the construction of the Heiligjahrsiedlung in the Höttinger Au. The diocese bought a building plot from the Ursuline order for this purpose. The loans for the settlers were advanced interest-free by the church. Decades later, his rustic approach to the housing issue would earn him the title of "Red Bishop" to the new home. In the modest little houses with self-catering gardens, in line with the ideas of the dogmatic and frugal "working-class bishop", 41 families, preferably with many children, found a new home.

By alleviating the housing shortage, the greatest threats in the Cold WarCommunism and socialism, from his community. The atheism prescribed by communism and the consumer-orientated capitalism that had swept into Western Europe from the USA after the war were anathema to him. In 1953, Rusch's book "Young worker, where to?". What sounds like revolutionary, left-wing reading from the Kremlin showed the principles of Christian social teaching, which castigated both capitalism and socialism. Families should live modestly in order to live in Christian harmony with the moderate financial means of a single father. Entrepreneurs, employees and workers were to form a peaceful unity. Co-operation instead of class warfare, the basis of today's social partnership. To each his own place in a Christian sense, a kind of modern feudal system that was already planned for use in Dollfuß's corporative state. He shared his political views with Governor Eduard Wallnöfer and Mayor Alois Lugger, who, together with the bishop, organised the Holy Trinity of conservative Tyrol at the time of the economic miracle. Rusch combined this with a latent Catholic anti-Semitism that was still widespread in Tyrol after 1945 and which, thanks to aberrations such as the veneration of the Anderle von Rinn has long been a tradition.

Education and training were of particular concern to the pugnacious Jesuit. Despite a speech impediment, Rusch was a charismatic character who was extremely popular with his young colleagues and young people. In 1936, he was elected regional field master of the scouts in Vorarlberg. In his opinion, only a sound education under the wing of the church according to the Christian model could save the salvation of young people. In order to give young people a perspective and steer them in an orderly direction with a home and family, the Youth building society savings strengthened. In the parishes, kindergartens, youth centres and educational institutions such as the House of encounter am Rennweg in order to have education in the hands of the church from the very beginning.

In the 1960s and 70s there were two church youth movements in Innsbruck. The education of the elites in the spirit of the Jesuit order was provided in Innsbruck since 1578 by the Marian Congregation. This youth organisation, still known today as the MK, took care of secondary school pupils. The MK had a strict hierarchical structure in order to give the young Soldaten Christi obedience from the very beginning. Father Sigmund Kripp took over the MK in 1959. Under his leadership, the young people built projects such as the Mittergrathütte including its own material cable car in Kühtai and the MK youth centre Kennedyhaus in Sillgasse with financial support from the church, state and parents and with a great deal of personal effort. Chancellor Klaus and members of the American embassy were present at the laying of the foundation stone for this youth centre, which was to become the largest of its kind in Europe with almost 1,500 members, as the building was dedicated to the first Catholic president of the USA, who had only recently been assassinated.

The other church youth organisation in Innsbruck was Z6. The city's youth chaplain, Chaplain Meinrad Schumacher, took care of the youth organisation as part of the Action 4-5-6 to all young people who are in the MK or the Catholic Student Union had no place. Working-class children and apprentices met in various youth centres such as Pradl or Reichenau before the new centre, also built by the members themselves, was opened at Zollerstraße 6 in 1971. Josef Windischer took over the management of the centre. The Z6 already had more to do with what Dennis Hopper and Peter Fonda were doing on the big screen on their motorbikes in Easy Rider was shown. Things were rougher here than in the MK. Rocker gangs like the Santanas, petty criminals and drug addicts also spent their free time in Z6. While Schumacher reeled off his programme upstairs with the "good" youngsters, Windischer populated the basement with the Outsiders to help the lost sheep as much as possible.

At the end of the 1960s, both the MK and the Z6 decided to open up to non-members. Girls' and boys' groups were partially merged and non-members were also admitted. Although the two youth centres had different target groups, the concept was the same. Theological knowledge and Christian morals were taught in a playful, age-appropriate environment. Sections such as chess, football, hockey, basketball, music, cinema films and a party room catered to the young people's needs for games, sport and their first sexual experiences. The youth centres offered a space in which young people of both sexes could meet. However, the MK in particular remained an institution that had nothing to do with the wild life of the '68ers, as it is often portrayed in films. For example, dance courses did not take place during Advent, carnival or on Saturdays, and were forbidden for under-17s.

Nevertheless, the youth centres went too far for Bishop Rusch. The critical articles in the MK newspaper We discuss found less and less favour. After years of disputes between the bishop and the youth centre, it came to a showdown in 1973. When Father Kripp published his book Farewell to tomorrow in which he reported on his pedagogical concept and the work in the MK, there were non-public proceedings within the diocese and the Jesuit order against the director of the youth centre. Despite massive protests from parents and members, Kripp was removed. Neither the intervention within the church by the eminent theologian Karl Rahner, nor a petition launched by the artist Paul Flora, nor regional and national outrage in the press could save the overly liberal priest from the wrath of Rusch, who even secured the papal blessing from Rome for his removal from office. In July 1974, the Z6 was also temporarily closed. Rusch had the keys to the youth centre exchanged without further ado, a method he had also used with the Catholic Student Union when it got too close to a left-wing action group.

It was his adherence to conservative values and his stubbornness that damaged Rusch's reputation in the last 20 years of his life. When he was consecrated as the first bishop of the newly founded diocese of Innsbruck in 1964, times were changing. The progressive with practical life experience of the past was overtaken by the modern life of a new generation and its needs. The bishop's constant criticism of the lifestyle of his flock and his stubborn adherence to his overly conservative values, coupled with sometimes bizarre statements, turned the co-founder of development aid into a bishop. Brother in needthe young, hands-on bishop of the reconstruction, from the late 1960s onwards as a reason for leaving the church. His concept of repentance and penance took on bizarre forms. He demanded guilt and atonement from the Tyroleans for their misdemeanours during the Nazi era, but at the same time described the denazification laws as too far-reaching and strict. In response to the new sexual practices and abortion laws under Chancellor Kreisky, he said that girls and young women who have premature sexual intercourse are up to twelve times more likely to develop cancer of the mother's organs. Rusch described Hamburg as a cesspool of sin and he suspected that the simple minds of the Tyrolean population were not up to phenomena such as tourism and nightclubs and were tempted to immoral behaviour. He feared that technology and progress were making people too independent of God. He was strictly against the new custom of double income. People should be satisfied with a spiritual family home with a vegetable garden and not strive for more; women should concentrate on their traditional role as housewife and mother.

In 1973, after 35 years at the head of the church community in Tyrol and Innsbruck, Bishop Rusch was made an honorary citizen of the city of Innsbruck. He resigned from his office in 1981. In 1986, Innsbruck's first bishop was laid to rest in St Jakob's Cathedral. The Bishop Paul's Student Residence The church of St Peter Canisius in the Höttinger Au, which was built under him, commemorates him.

After its closure in 1974, the Z6 youth centre moved to Andreas-Hofer-Straße 11 before finding its current home in Dreiheiligenstraße, in the middle of the working-class district of the early modern period opposite the Pest Church. Jussuf Windischer remained in Innsbruck after working on social projects in Brazil. The father of four children continued to work with socially marginalised groups, was a lecturer at the Social Academy, prison chaplain and director of the Caritas Integration House in Innsbruck.

The MK also still exists today, even though the Kennedy House, which was converted into a Sigmund Kripp House was renamed, no longer exists. In 2005, Kripp was made an honorary citizen of the city of Innsbruck by his former sodalist and later deputy mayor, like Bishop Rusch before him.