Theresienkirche
Gramartstraße 4
Worth knowing
Hoch über Innsbruck befindet sich die Wallfahrtskirche zur Heiligen Theresia vom Kinde Jesu. Der private Verein Mariabrunn built a chapel around a relic and an image of St Theresa in the 1920s. Theresa of Lisieux had died of tuberculosis only a few years earlier after a short but all the more pious life and had been canonised by Pius X at lightning speed. The large number of pilgrims asking St Theresa for help made it necessary to build a church.
In 1931, the association organised a competition, which was won by architect Wilhelm Stigler (1903 - 1976). He was able to prevail in the competition with his design against masters such as Clemens Holzmeister and Franz Baumann. However, as his project plan exceeded the meagre funds available for construction in the post-war period, Siegfried Thurner's design, which was somewhat more economical, was realised without further ado.
The cubic building was designed in the New Objectivity style in keeping with the spirit of the times. The Romanesque-style church with its striking tower is connected to the small Carmelite monastery via a garden. The interior of the church is particularly worth seeing. In 1935, the artist Ernst Nepo (1895 - 1971) created the fresco of St Theresa above the entrance. After the war, his involvement in the completion of the church was no longer desired, as the early National Socialist had already had a picture of the Führer painted in 1937, which had been presented to him by the Tyrolean National Socialist Women's Association for his birthday.
In his place, the Tyrolean artist Max Weiler (1910 - 2001) continued the work from 1946 onwards in order to see the nave of the church decorated in time for the 150th anniversary of the renewal of the Sacred Heart Society of 1796 in the province of Tyrol. The artist, who was still less well-known at the time, managed to complete four paintings. "Die Verehrung des Herzens Jesu“, „Die Herz-Jesu-Sonne“, „Johannesminne und Ölberg“ and „Der Lanzenstich" could be completed before it came to a scandal. The image of the Sacred Heart of Jesus was given the name "Pfaffenkarussell".
The result, especially the portrait of the "Lanzenstich", was not very popular with the general public, as it showed the bystanders around the crucified man in traditional Tyrolean peasant dress during his last breath. It is no coincidence that one of the men under the cross is reminiscent of Adolf Hitler, while a Tyrolean marksman pierces the Saviour's flank with a spear. A naked Venus had to be demurely painted over with clothes in order to reduce the initial popular anger, which ultimately even led to a lawsuit by a farmer from Kössen who saw it as a disturbance of religion and order. Threats were made against the work and the artists. The Farmers' Union and parts of the Tyrolean clergy were even able to force the Vatican to intervene.
After consultation between the Holy See and the Tyrolean Bishop Paulus Rusch, a strict judgement was issued: the completion of the cycle planned by Weiler was forbidden and the sketches were never executed. The public outrage of many conservative Christians, who were able to assert themselves in conservative Tyrol in the second half of the 20th century, was too great. For ten years, the works of art, now the pride and joy of the church, remained hidden from the eyes of the general public, covered with a cloth.
Believe, Church and Power
The abundance of churches, chapels, crucifixes and murals in public spaces has a peculiar effect on many visitors to Innsbruck from other countries. Not only places of worship, but also many private homes are decorated with depictions of the Holy Family or biblical scenes. The Christian faith and its institutions have characterised everyday life throughout Europe for centuries. Innsbruck, as the residence city of the strictly Catholic Habsburgs and capital of the self-proclaimed Holy Land of Tyrol, was particularly favoured when it came to the decoration of ecclesiastical buildings. The dimensions of the churches alone are gigantic by the standards of the past. In the 16th century, the town with its population of just under 5,000 had several churches that outshone every other building in terms of splendour and size, including the palaces of the aristocracy. Wilten Monastery was a huge complex in the centre of a small farming village that was grouped around it. The spatial dimensions of the places of worship reflect their importance in the political and social structure.
For many Innsbruck residents, the church was not only a moral authority, but also a secular landlord. The Bishop of Brixen was formally on an equal footing with the sovereign. The peasants worked on the bishop's estates in the same way as they worked for a secular prince on his estates. This gave them tax and legal sovereignty over many people. The ecclesiastical landowners were not regarded as less strict, but even as particularly demanding towards their subjects. At the same time, it was also the clergy in Innsbruck who were largely responsible for social welfare, nursing, care for the poor and orphans, feeding and education. The influence of the church extended into the material world in much the same way as the state does today with its tax office, police, education system and labour office. What democracy, parliament and the market economy are to us today, the Bible and pastors were to the people of past centuries: a reality that maintained order. To believe that all churchmen were cynical men of power who exploited their uneducated subjects is not correct. The majority of both the clergy and the nobility were pious and godly, albeit in a way that is difficult to understand from today's perspective.
Unlike today, religion was by no means a private matter. Violations of religion and morals were tried in secular courts and severely penalised. The charge for misconduct was heresy, which encompassed a wide range of offences. Sodomy, i.e. any sexual act that did not serve procreation, sorcery, witchcraft, blasphemy - in short, any deviation from the right belief in God - could be punished with burning. Burning was intended to purify the condemned and destroy them and their sinful behaviour once and for all in order to eradicate evil from the community.
For a long time, the church regulated the everyday social fabric of people down to the smallest details of daily life. Church bells determined people's schedules. Their sound called people to work, to church services or signalled the death of a member of the congregation. People were able to distinguish between individual bell sounds and their meaning. Sundays and public holidays structured the time. Fasting days regulated the diet. Family life, sexuality and individual behaviour had to be guided by the morals laid down by the church. The salvation of the soul in the next life was more important to many people than happiness on earth, as this was in any case predetermined by the events of time and divine will. Purgatory, the last judgement and the torments of hell were a reality and also frightened and disciplined adults.
While Innsbruck's bourgeoisie had been at least gently kissed awake by the ideas of the Enlightenment after the Napoleonic Wars, the majority of people in the surrounding communities remained attached to the mixture of conservative Catholicism and superstitious popular piety.
Faith and the church still have a firm place in the everyday lives of Innsbruck residents, albeit often unnoticed. The resignations from the church in recent decades have put a dent in the official number of members and leisure events are better attended than Sunday masses. However, the Roman Catholic Church still has a lot of ground in and around Innsbruck, even outside the walls of the respective monasteries and educational centres. A number of schools in and around Innsbruck are also under the influence of conservative forces and the church. And anyone who always enjoys a public holiday, pecks one Easter egg after another or lights a candle on the Christmas tree does not have to be a Christian to act in the name of Jesus disguised as tradition.
1796 - 1866: Vom Herzen Jesu bis Königgrätz
The period between the French Revolution and the Battle of Königgrätz in 1866 was a period of war. The monarchies of Europe, led by the Habsburgs, had declared war on the French Republic. Fears were rife that the motto of the Revolution "Liberté, Égalité, Fraternité" could spread across Europe. A young general named Napoleon Bonaparte was with his italienischen Armee advanced across the Alps as part of the coalition wars and met the Austrian troops there. It was not just a war for territory and power, it was a battle of systems. The Grande Armee of the revolutionary French Republic met the arch-Catholic Habsburgs.
Tyrolean riflemen were involved in the fighting to defend the country's borders against the invading French. Companies such as the Höttinger Schützen, founded in 1796, faced the most advanced and best army in the world at the time. The Cult of the Sacred Heart, which still enjoys great popularity in Tyrol today, dates back to this time. In a hopeless situation, the Tyrolean troops renewed their covenant with the heart of Jesus to ask for protection. It was the abbot of Stams Monastery who petitioned the provincial estates to henceforth organise an annual "das Fest des göttlichen Herzens Jesu mit feierlichem Gottesdienst zu begehen, wenn Tirol von der drohenden Feindesgefahr befreit werde." Every year, the Sacred Heart celebrations were discussed and announced with great pomp in the press. Particularly in the 19th and early 20th centuries, they were an explosive mixture of popular superstition, Catholicism and national resentment against everything French and Italian. Alongside Cranach's Mother of Mercy, the depiction of the heart of Jesus is probably the most popular Christian motif in the Tyrolean region to this day and is emblazoned on the façades of countless houses.
In the war years of 1848, 1859 and 1866, the so-called Italian wars of unification. In the course of the 19th century, at the latest since 1848, there was a veritable national frenzy among young men. Volunteer armies sprang up in all regions of Europe. Students and academics who came together in their associations, gymnasts, marksmen, all wanted to prove their new love of the nation on the battlefield and supported the official armies. Probably the most famous battle of the Wars of unification took place in Solferino near Lake Garda in 1859. Horrified by the bloody events, Henry Durant decided to found the Red Cross. The writer Joseph Roth described the events in the first pages of his classic book, which is well worth reading Radetzkymarsch.
"In the battle of Solferino, he (note: Lieutenant Trotta) commanded a platoon as an infantry lieutenant. The battle had been going on for half an hour. Three paces in front of him he saw the white backs of his soldiers. The first row of his platoon was kneeling, the second was standing. Everyone was cheerful and certain of victory. They had eaten copiously and drunk brandy at the expense and in honour of the emperor, who had been in the field since yesterday. Here and there one fell out of line."
As a garrison town, Innsbruck was an important supply centre. After the Congress of Vienna, the Tyrolean Jägerkorps the k.k. Tiroler Kaiserjägerregiment an elite unit that was deployed in these conflicts. Volunteer units such as the Innsbruck academics or the Stubai Riflemen were fighting in Italy. The media fuelled the atmosphere away from the front line. The "Innsbrucker Zeitung" predigte in ihren Artikeln Kaisertreue und großdeutsch-tirolischen Nationalismus, wetterte gegen das Italienertum und Franzosen und pries den Mut Tiroler Soldaten.
"Die starke Besetzung der Höhen am Ausgange des Valsugana bei Primolano und le Tezze gab schon oft den Innsbrucker-Akademikern I. und den Stubaiern Anlaß, freiwillige Ercur:sionen gegen le Tezze, Fonzago und Fastro, als auch auf das rechte Brenta-Ufer und den Höhen gegen die kleinen Lager von den Sette comuni zu machen...Am 19. schon haben die Stubaier einige Feinde niedergestreckt, als sie sich das erste mal hinunterwagten, indem sie sich ihnen entgegenschlichen..."
The year 1866 was particularly costly for the Austrian Empire, with the loss of Veneto and Lombardy in Italy. At the same time, Prussia took the lead in the German Confederation, the successor organisation to the Holy Roman Empire of the German Nation. For Innsbruck, the withdrawal of the Habsburg Monarchy from the German Confederation meant that it had finally become a city on the western periphery of the empire. The tendency towards so-called Großdeutschen LösungThe idea of statehood together with the German Empire instead of the independent Austrian Empire was more pronounced in Tyrol than in the rest of Austria.
The national aspirations of the individual ethnic groups did not stop at Tyrol, as the Trentino region between Salurn and Riva on Lake Garda also included an Italian-speaking part of the country. In the Tyrolean state parliament, Italian-speaking members of parliament called for so-called Irredentistsmore rights and autonomy for what was then South Tyrol. In Innsbruck, there were repeated tensions and clashes between Italian and German-speaking students. The WallschenThis term for Italians persists to this day and they were considered dishonourable, unreliable and lazy.
With the Tummelplatz, the Pradl military cemetery and the Kaiserjägermuseum on Mount Isel, Innsbruck has several places of remembrance of this time of great loss for the Habsburgs.