Zeughaus Innsbruck Summer Cinema

Maximilian zählt zu den bedeutendsten Persönlichkeiten der europäischen und der Innsbrucker Stadtgeschichte. Über Tirol soll der passionierte Jäger gesagt haben: "Tirol ist ein grober Bauernkittel, der aber gut wärmt." Er machte Innsbruck in seiner Regierungszeit zu einem der wichtigsten Zentren des Heiligen Römischen Reichs. „Wer immer sich im Leben kein Gedächtnis macht, der hat nach seinem Tod kein Gedächtnis und derselbe Mensch wird mit dem Glockenton vergessen.“ Dieser Angst wirkte Maximilian höchst erfolgreich aktiv entgegen. Unter ihm spielten Propaganda, Bild und Medien eine immer stärkere Rolle, bedingt auch durch den aufkeimenden Buchdruck. Maximilian nutzte Kunst und Kultur, um sich präsent zu halten. So hielt er sich eine Reichskantorei, eine Musikkapelle, die vor allem bei öffentlichen Auftritten und Empfängen internationaler Gesandter zum Einsatz kam. Das Goldene DachlThe Hofburg, the Hofkirche and the Innsbruck Armoury were largely initiated by him, as was the paving of the streets and alleyways of the old town. He had the trade route laid in what is now Mariahilf and improved the city's water supply. Fire regulations had already existed in Innsbruck since 1510 and the new water pipeline, which had been laid to Innsbruck 25 years earlier under Maximilian, opened up new possibilities for fire protection. In 1499 Maximilian ordered the SalvatorikapelleHe began to rebuild a hospital for the needy inhabitants of Innsbruck, who had no right to a place in the Brotherhood's city hospital. He also began to chip away at the privileges of Wilten Abbey, the largest landowner in the present-day city area. Infrastructure owned by the monastery, such as the mill, sawmill and Sill Canal, were to come under greater control of the prince.

The imperial court, which was always based in Innsbruck, transformed Innsbruck's appearance and attitude. Envoys and politicians from all over Europe up to the Ottoman Empire as well as noblemen had their residences built in Innsbruck or stayed in the town's inns. Culturally, it was above all his second wife Bianca Maria Sforza who patronised Innsbruck. Not only did her wedding take place here, she also resided here for a long time, as the city was closer to her home in Milan than Maximilian's other residences. She brought her entire court with her from the Renaissance metropolis to the German lands north of the Alps.

Under Maximilian, Innsbruck not only became a cultural centre of the empire, the city also boomed economically. Among other things, Innsbruck was the centre of the postal service in the empire. The Thurn und Taxis family was granted a monopoly on this important service and chose Innsbruck as the centre of their private imperial postal service.

Maximilian was able to build on the expertise of the gunsmiths who had already established themselves in the foundries in Hötting under his predecessor Siegmund. The most famous of them was Peter "Löffler“ Laiminger. Die Geschichte der Löfflers ist im Roman Der Meister des siebten Siegels excellently processed.

The Fuggers maintained an office in Innsbruck. In addition to his favoured love of Tyrolean nature, the treasures such as salt from Hall and silver from Schwaz were at least as valuable and useful to him. Maximilian financed his lavish court, his election as king by the electors and his many wars by pledging the country's natural resources to the wealthy merchant family from Augsburg, among other things.

Maximilian was long unpopular with Tyrolean farmers during his lifetime. Maximilian curtailed the peasants' rights to the commons. Logging, hunting and fishing were placed under the control of the sovereign and were no longer common property. This had a negative impact on peasant self-sufficiency. Meat and fish, which had long been part of the diet in the Middle Ages, now became a luxury. It was around 1500 that hunters became poachers.

Many Tyroleans had to enforce the imperial will on the battlefields. Many of Maximilian's battles took place in the immediate vicinity of Tyrol. The wars demanded a great deal from the men fit for military service. This only changed in the last years of his reign. The skilful political move of the Tyrolean Landlibells from 1511 Maximilian was able to buy the affection and loyalty of his subjects and limit the influence of the bishops of Brixen and Trento. Maximilian conceded to the Tyroleans in a kind of constitution that they could only be called up as soldiers for the defence of their own country.

It is difficult to summarise Maximilian's work in Innsbruck. He is said to have been downright enamoured of his province of Tyrol. Of course, declarations of love from an emperor flatter the popular psyche to this day. His material legacy with its many magnificent buildings reinforces this positive image. He turned Innsbruck into an imperial residence city and pushed ahead with the modernisation of the infrastructure. Innsbruck became the centre of the armaments industry and grew economically and spatially. The debts he incurred for this and the state assets he pledged to the Fuggers left their mark on Tyrol after his death, at least as much as the strict laws he imposed on the ordinary population. In today's popular imagination, the hard times are not as present as the Goldene Dachl und die in der Schule gelernten weichen Fakten und Legenden rund um den einflussreichen Kaiser. 2019 überschlug man sich mit den Feierlichkeiten zum 500. Todestag des für Innsbruck wohl wichtigsten Habsburgers. Der Wiener wurde wohlwollend eingebürgert. Salzburg hat Mozart, Innsbruck Maximilian, einen Kaiser, den Tiroler, ob seiner damals nicht ungewöhnlichen Leidenschaft für die Jagd passend zur gewünschten Identität Innsbrucks als rauen Gesellen, der am liebsten in den Bergen ist, angepasst haben. Sein markantes Gesicht prangt heute auf allerhand Konsumartikeln, vom Käse bis zum Skilift steht der Kaiser für allerhand Profanes Pate. Lediglich für politische Agenden lässt er sich weniger gut vor den Karren spannen als Andreas Hofer. Wahrscheinlich ist es für den Durchschnittsbürger einfacher, sich mit einem revolutionären Wirt zu identifizieren als mit einem Kaiser.