about 20 years ago, when architect adolf loos came onto the scene with the house on michaelerplatz in vienna, with its completely bare façade wall, in which only the square window holes were cut, a storm of indignation roared through the viennese art and lay world (there was a heated "loos house debate" in the viennese city council). i myself, although i had a prominent leader of modern austrian art as a teacher, could not initially warm to this architectural sobriety - today we say objectivity - either. there was no lack of mockers of this latest architecture, as it was written in a major viennese daily newspaper at the time: the most modern of architects walked through the streets of vienna brooding over art - loos was pictured below, standing in front of a canal grating and staring at it, and found what he had been searching for in vain for so long.

what was then considered an outburst of artlessness and was declared impossible by the public, the authorities and the press, is now taken for granted to an even greater extent by the public in all major cities in germany and france. even in innsbruck, some new buildings and conversions (tower block, farmhouse, etc.) have been built from this new point of view of practicality.) have emerged from this new point of view of objectivity. soon we will also have become friends with the clock, which shows only single strokes instead of numerals, and it will only be a matter of time before - just like the loos' purpose manifestation and the abstraction of the hour digits - only lower case letters will be used in our writing for rational and economic reasons. apart from the fact that such an implementation in german writing is not really new at all, but merely a regeneration, and that lower-case writing exists in many foreign languages without any signs of inadequacy, it would certainly be accepted by the business world without resistance (just think of the simplification of typewriter manipulation and typesetting work, the simplicity of language teaching, etc.).

what seemed outrageous to us art disciples at the time in our generally school-educated obsession with architectural finery due to the sensible but revolutionary idea of loos' house was soon brightened up by inner realisation. when i walked through the streets of innsbruck 10 years ago, coming from vienna, i already had the silent wish to see all the superfluous, meaningless, heavy cornices and stucco decorations with which our newer houses (anichstrasse, bürgerstrasse, etc.) are "stuck on" and "decorated" knocked down - which, by the way, happened after a few years in individual places (post office building, farmhouse, etc.).

the disapproval of bare wall surfaces that is so often expressed in the judgement of buildings at present is a natural, reactionary feeling of our spoilt eye, which sees the streets predominantly overloaded with heavy cornices and window frames. therefore, the strict rejection of the new architecture, unless it shows obvious violations of reason and taste, is also very unfair. one must not forget that the non-expert and the average person, even some artists, are mostly conventionally biased in their judgement and therefore cannot claim to be truly objective.

in order not to be misunderstood, i must expressly state at this point that, when it comes to the external design of residential buildings, i am resolutely opposed to the uniform bleakness of factory construction, which is also largely reflected in the tower block. we have plenty of examples in tyrol's old towns that show how a certain warmth and individuality can be achieved even with the simplest of designs. let us now try to judge the skyscraper from the spirit of our time. in doing so, however, we must free ourselves as far as possible from the ban of certain traditional views in order to exclude those one-sided judgements that no longer have any inner justification today. weren't the painters courbet and delacroix labelled as "not classical", leibl and liebermann as "too naturalistic" due to the public's habitual adherence to traditional aesthetic principles? and what did richard wagner's art have to suffer? of course a real, true critic must above all have a clear eye and a healthy sensibility coupled with reason and know how to defend himself against the artistic distortions and gimmicks of all "progressive" artists who try to pretend their work is visionary.

finally, let us remember that it is not a question of whether a building is good or bad, not of horizontal windows or a flat roof, nor of decorative romanticism or machine fanaticism, but of the honest, truly forward-looking attitude of an architect. welzenbacher is currently building in a modern Nordic style and has achieved the best success with it. his style was well received in germany and he was appointed there. it is therefore not surprising that the tower block, as a proud representative of the metropolitan architecture of the lowlands, does not fit into our mountain world - this is perhaps the greatest weakness of the building.

as i said, the essential thing about this high-rise issue is not so much whether or not the high-rise fits in with tirol, nor even the few fanciful additions, but the act that contributes to the emergence of a new style.

The caesura of the First World War not only changed Innsbruck economically and socially, but also gave the city a new appearance. The visual arts reinvented themselves after the horrors of war. The classicism of the turn of the century was the architecture of a bourgeoisie that had tried to imitate the nobility. After the war, many citizens blamed this aristocracy for the horrors on the battlefields of Europe. Even before the war, sport and the phenomenon of leisure had become the expression of a new bourgeois self-image in contrast to the old order determined by the aristocracy. From now on, buildings and infrastructure were to serve every citizen equally. Aristocratic virtues and interest in classical antiquity had lost their lustre within a very short space of time.

The architects of the post-war period wanted to distinguish themselves from previous generations in terms of appearance, while at the same time maximising the functionality of the buildings. The end of the monarchy is reflected in the simplicity of the architecture. Lois Welzenbacher wrote about the architectural aberrations of this period in an article in the magazine Tiroler Hochland in 1920:

"As far as we can judge today, it is clear that the 19th century lacked the strength to create its own distinct style. It is the age of stillness... Thus details were reproduced with historical accuracy, mostly without any particular meaning or purpose, and without a harmonious overall picture that would have arisen from factual or artistic necessity."

Neue Formen der Gestaltung wie der Bauhausstil aus Weimar, Hochhäuser aus den USA und die Sowjetische Moderne aus der revolutionären UdSSR hielten Einzug in Design, Bauwesen und Handwerk. Die bekanntesten Tiroler Vertreter dieser neuen Art und Weise die Gestaltung des öffentlichen Raumes waren Siegfried Mazagg, Theodor Prachensky, Clemens Holzmeister und Lois Welzenbacher. Jeder dieser Architekten hatte seine Eigenheiten, wodurch die Tiroler Moderne nur schwer eindeutig zu definieren ist. Mit Bauwerken wie dem Elektrizitätswerk Innsbruck in der Salurnerstraße oder dem Adambräu beim Bahnhof entstanden markante Gebäude, nicht nur in ungeahnter Höhe, sondern auch in einem komplett neuen Stil. Bei aller Begeisterung für den Aufbruch in neue Zeiten spielte auch eine Gedankenströmung mit, die für uns Nachgeborene problematisch ist. Der Futurismus von Filippo Tommaso Marinetti übte nicht nur auf den italienischen Faschismus, sondern auch auf viele Vertreter der Kunst und Architektur der Moderne eine große Anziehungskraft aus.

Der bekannteste und im Innsbrucker Stadtbild am eindrücklichsten bis heute sichtbare Vertreter der sogenannten Tiroler Moderne war Franz Baumann (1892 – 1974). Baumann kam 1892 als Sohn eines Postbeamten in Innsbruck zur Welt. Der Theologe, Publizist und Kriegspropagandist Anton Müllner alias Bruder Willram wurde auf das zeichnerische Talent von Franz Baumann aufmerksam und ermöglichte dem jungen Mann mit 14 Jahren den Besuch der Staatsgewerbeschule, der heutigen HTL. Hier lernte er seinen späteren Schwager Theodor Prachensky kennen. Gemeinsam mit Baumanns Schwester Maria waren die beiden jungen Männer auf Ausflügen in der Gegend rund um Innsbruck unterwegs, um Bilder der Bergwelt und Natur zu malen. Während der Schulzeit sammelte er erste Berufserfahrungen als Maurer bei der Baufirma Huter & Söhne, die in Innsbruck für Großprojekte wie das Kloster zur Ewigen Anbetung oder die Kirche St. Nikolaus zuständig waren. 1910 folgte Baumann seinem Freund Prachensky nach Meran, um bei der Firma Musch & Lun zu arbeiten. Meran war damals Tirols wichtigster Tourismusort mit internationalen Kurgästen. Die vorrangigen Stile waren Jugendstil und Historismus. Unter dem Architekten Adalbert Erlebach machte er erste Erfahrungen bei der Planung von Großprojekten wie Hotels und Seilbahnen.

Like the majority of his generation, the First World War tore Baumann from his professional and everyday life. On the Italian front, he was shot in the stomach while fighting, from which he recovered in a military hospital in Prague. During this otherwise idle time, he painted cityscapes of buildings in and around Prague. These pictures, which would later help him to visualise his plans, were presented in his only exhibition in 1919.

After returning home from the war, Baumann worked at Grissemann & Walch and completed his professional qualification. Unlike Holzmeister or Welzenbacher, he had no academic training. In his spare time, he regularly took part in public tenders for public projects.

His big breakthrough came in the second half of the 1920s. Baumann was able to win the tenders for the remodelling of the Weinhaus Happ in the old town and the Nordkettenbahn railway. In addition to his creativity and ability to think holistically, he was also able to harmonise his approach with the legal situation and the requirements of the tenders of the 1920s. According to the federal constitution of the Republic of Austria, construction was a state matter. Since the previous year, the Tyrolean Heritage Protection Association gemeinsam mit der Bezirkshauptmannschaft als letztentscheidende Behörde bei Bauprojekten für Bewertung und Genehmigung zuständig. Kunibert Zimmeter hatte den Verein bereits 1908 gemeinsam mit Gotthard Graf Trapp gegründet. Zimmeter schrieb in seinem Buch „Unser Tirol. Ein Heimatschutzbuch“:

"Let us look at the flattening of our private lives, our amusements, at the centre of which, significantly, is the cinema, at the literary ephemera of our newspaper reading, at the hopeless and costly excesses of fashion in the field of women's clothing, let us take a look at our homes with the miserable factory furniture and all the dreadful products of our so-called gallantry goods industry, Things that thousands of people work to produce, creating worthless bric-a-brac in the process, or let us look at our apartment blocks and villas with their cement façades simulating palaces, countless superfluous towers and gables, our hotels with their pompous façades, what a waste of the people's wealth, what an abundance of tastelessness we must find there."

Natur und Ortsbilder sollten von allzu modischen Strömungen, überbordendem Tourismus und hässlichen Industriebauten geschützt werden. Bauprojekte sollten sich harmonisch, ansehnlich und zweckdienlich in die Umwelt eingliedern. Architekten mussten trotz der gesellschaftlichen und künstlerischen Neuerungen der Zeit den regionaltypischen Charakter mitdenken.

Nach dem ersten Weltkrieg entstand eine neue Kunden- und Gästeschicht, die neue Anforderungen an Gebäude und somit an das Baugewerbe richtete. In vielen Tiroler Dörfern hatten Hotels die Kirchen als größtes Bauwerk im Ortsbild abgelöst. Bergdörfer wie Igls, Seefeld oder St. Anton wurden vom Tourismus komplett umgestaltet, in Innsbruck entstand mit der Hungerburg ein neuer Stadtteil. Die aristokratische Distanz zur Bergwelt war einer bürgerlichen Sportbegeisterung gewichen. Das bedurfte neuer Lösungen in neuen Höhen. Man baute keine Grandhotels mehr auf 1500 m für den Kururlaub, sondern eine komplette Infrastruktur für Skisportler im hochalpinen Gelände wie der Nordkette. In seiner Zeit in Meran war Baumann schon mit dem Heimatschutzverband in Berührung gekommen. Genau hier lagen die Stärken seines Ansatzes des ganzheitlichen Bauens im Tiroler Sinne. Alle technischen Funktionen und Details, die Einbettung der Gebäude in die Landschaft unter Berücksichtigung der Topografie und des Sonnenlichtes spielten für ihn, der offiziell den Titel Architekt gar nicht führen durfte, eine Rolle. Er folgte damit den „Rules for those who build in the mountains" by the architect Adolf Loos from 1913:

Don't build picturesquely. Leave such effects to the walls, the mountains and the sun. The man who dresses picturesquely is not picturesque, but a buffoon. The farmer does not dress picturesquely. But he is...

Pay attention to the forms in which the farmer builds. For they are ancestral wisdom, congealed substance. But seek out the reason for the mould. If advances in technology have made it possible to improve the mould, then this improvement should always be used. The flail will be replaced by the threshing machine."

Baumann designed even the smallest details, from the exterior lighting to the furniture, and integrated them into his overall concept of the Tiroler Moderne in.

From 1927, Baumann worked independently in his studio in Schöpfstraße in Wilten. He repeatedly came into contact with his brother-in-law and employee of the building authority, Theodor Prachensky. From 1929, the two of them worked together to design the building for the new Hötting secondary school on Fürstenweg. Although boys and girls were still to be planned separately in the traditional way, the building was otherwise completely in keeping with the New Objectivity style in terms of form and furnishings, based on the principle of light, air and sun. In 1935 he managed the project Hörtnaglsiedlung in the west of the city.

In his heyday, he employed 14 people in his office. Thanks to his modern approach, which combined function, aesthetics and economical construction, he survived the economic crisis well. The 1,000-mark freeze that Hitler imposed on Austria in 1934 in order to put the Republic in financial difficulties heralded the slow decline of his architectural practice. Not only did the unemployment rate in tourism triple within a very short space of time, but the construction industry also ran into difficulties.

In 1935, Baumann became the shooting star of the Tyrolean architecture scene and was appointed head of the Central Association of Architects after he was finally allowed to use this professional title with a special licence. After the Anschluss in 1938, he quickly joined the NSDAP. On the one hand, he was probably not averse to the ideas of National Socialism, but on the other he was able to further his career as chairman of the Reich Chamber of Fine Arts in Tyrol. In this position, he courageously opposed the destructive furore with which those in power wanted to change Innsbruck's cityscape, which did not correspond to his idea of urban planning. The mayor of Innsbruck, Egon Denz, wanted to remove the Triumphal Gate and St Anne's Column in order to make more room for traffic in Maria-Theresienstraße. The city centre was still a transit area from the Brenner Pass in the south to reach the main road to the east and west on today's Innrain. At the request of Gauleiter Franz Hofer, a statue of Adolf Hitler as a German herald was to be erected in place of St Anne's Column. Hofer also wanted to have the church towers of the collegiate church blown up. Baumann's opinion on these plans was negative. When the matter made it to Albert Speer's desk, he agreed with him. From this point onwards, Baumann was no longer awarded any public projects by Gauleiter Hofer.

After being questioned as part of the denazification process, Baumann began working at the city building authority, probably on the recommendation of his brother-in-law Prachensky. Baumann was fully exonerated, among other things by a statement from the Abbot of Wilten, but his reputation as an architect could no longer be repaired. Moreover, his studio in Schöpfstraße had been destroyed by a bomb in 1944. In his post-war career, he was responsible for the renovation of buildings damaged by the war. Under his leadership, Boznerplatz with the Rudolfsbrunnen fountain was rebuilt as well as Burggraben and the new Stadtsäle (Note: today House of Music).

Franz Baumann died in 1974 and his paintings, sketches and drawings are highly sought-after and highly traded. The diverse public and private buildings and projects of the ever-smoking architect still characterise Innsbruck today.

Few eras are more difficult to grasp than the interwar period. The Roaring TwentiesJazz and automobiles come to mind, as do inflation and the economic crisis. In big cities like Berlin, young ladies behaved as Flappers with a bobbed head, cigarette and short skirts, lascivious to the new sounds, Innsbruck's population, as part of the young Republic of Austria, belonged for the most part to the faction of poverty, economic crisis and political polarisation.

Although the Republic of German-Austria had been proclaimed, it was unclear how things would continue in Austria. The monarchy and nobility were banned. The bureaucratic state of the k.u.k. Empire was seamlessly established under a new flag and name. As the successors to the old crown lands, the federal states were given a great deal of room for manoeuvre in legislation and administration within the framework of federalism. However, enthusiasm for the new state was limited. Not only was the supply situation miserable after the loss of the vast majority of the former Habsburg empire, but people also mistrusted the basic idea of the republic. The monarchy had not been perfect, but only very few people could relate to the idea of democracy. Instead of being subjects of the emperor, they were now citizens, but only citizens of a dwarf state with an oversized capital that was little loved in the provinces instead of a large empire. In the former crown lands, most of which were governed by Christian socialists, people liked to speak of the Viennese water headwho was fed by the yields of the industrious rural population.

Austria was deeply divided. Capital and provinces, city and countryside, citizens, workers and farmers - in the vacuum of the first post-war years, each group wanted to shape the future according to their own ideas. The divide did not only exist on a political level. Morality, family, leisure activities, education, faith, understanding of the law - every area of life was affected. Who should rule? How should wealth, rights and duties be distributed? What should be done with public buildings such as barracks, castles and palaces?

The revolution in Russia and the ensuing civil war with millions of deaths, expropriation and a complete reversal of the system cast a long shadow over Europe. The prospect of Soviet conditions made people afraid. A communist coup was not a real danger, especially in Tyrol, but could be easily instrumentalised in the media as a threat to discredit social democracy.

Italian troops occupied Innsbruck for almost two years after the end of the war. At the peace negotiations in Paris, the Brenner Pass was declared the new border. The historic Tyrol was divided in two. The military was stationed at the Brenner Pass to secure a border that had never existed before and was perceived as unnatural and unjust. Many people on both sides of the Brenner felt betrayed. Although the war was far from won, they did not see themselves as losers to Italy. Hatred of Italians reached its peak in the interwar period, even if the occupying troops were emphatically lenient. A passage from the short story collection "The front above the peaks" by the National Socialist author Karl Springenschmid from the 1930s reflects the general mood:

"The young girl says, 'Becoming Italian would be the worst thing.

Then old Tappeiner just nods and grumbles: 'I know it myself and we all know it: becoming a whale would be the worst thing'."

Die neu gegründete Tiroler Volkspartei stand Wien und der Sozialdemokratie gegenüber mindestens so ablehnend gegenüber wie den Italienern. Das neue Österreich erschien zu klein und nicht lebensfähig. Auch andere Bundesländer spielten mit dem Gedanken, sich von der Republik abzukoppeln, nachdem der von allen Parteien unterstützte Plan sich Deutschland anzuschließen von den Siegermächten des Ersten Weltkriegs untersagt worden war. Die Tiroler Pläne allerdings waren besonders spektakulär. Von einem neutralen Alpenstaat mit anderen Bundesländern, einem Freistaat bestehend aus Tirol und Bayern oder von Kufstein bis Salurn, einem Anschluss an die Schweiz bis hin zu einem katholischen Kirchenstaat unter päpstlicher Führung gab es viele Überlegungen. Der Anschluss an Deutschland erhielt in Tirol bei einer Abstimmung in Tirol einen Zuspruch von 98%, kam aber nie zustande.

However, high politics was only the framework for the real problems. The epidemic that went down in history as the Spanish flu also took its toll in Innsbruck in the years after the war. Exact figures were not recorded, but the number of deaths worldwide is estimated at 27 - 50 million. Many Innsbruck residents had not returned home from the battlefields and were missing as fathers, husbands and labourers. Many of those who had made it back were wounded and scarred by the horrors of war. As late as February 1920, the "Tyrolean Committee of the Siberians" at the Gasthof Breinößl "...in favour of the fund for the repatriation of our prisoners of war..." a charity evening.

Many people, especially civil servants and public sector employees, had lost their jobs after the League of Nations tied its loan to harsh austerity measures. Tourism as an economic factor was non-existent due to the problems in the neighbouring countries, which were also shaken by the war. It was only with the currency reorganisation and the introduction of the schilling as the new currency in 1925 under Chancellor Ignaz Seipel that Innsbruck slowly began to recover.

Die erste Republik war eine schwere Geburt aus den Überbleibseln der einstigen Monarchie und sie sollte nicht lange halten. Trotz vielen Nachkriegsproblemen passierte in der Ersten Republik aber auch viel Positives. Aus Untertanen wurden Bürgern. Was in der Zeit Maria Theresias begann, wurde nun unter neuen Vorzeichen weitergeführt. Der Wechsel vom Untertanen zum Bürger zeichnete sich nicht nur durch ein neues Wahlrecht, sondern vor allem durch die verstärkte Obsorge des Staates aus. Schulen, Kindergärten, Arbeitsämter, Krankenhäuser und städtische Wohnanlagen traten an die Stelle des Wohlwollens reicher Bürger, der Monarchie und der Kirche. Die Zeiten waren schwer und das neue System noch nicht eingeschliffen.

Bis heute basiert vieles im österreichischen Staatswesen sowie im Innsbrucker Stadtbild und der Infrastruktur auf dem, was nach dem Zusammenbruch der Monarchie entstanden war. In Innsbruck gibt es keine bewussten Erinnerungsorte an die Entstehung der Ersten Republik in Österreich. Die denkmalgeschützten Wohnbauprojekte wie der Schlachthofblock, der Pembaurblock oder der Mandelsbergerblock im Saggen sowie in Pradl und Wilten sind Stein gewordene Zeitzeugen.

Einer der wichtigsten Akteure der Stadtgeschichte war Wilhelm Greil (1850 – 1923). Von 1896 bis 1923 bekleidete der Unternehmer das Amt des Bürgermeisters, nachdem er vorher bereits als Vizebürgermeister die Geschicke der Stadt mitgestaltet hatte. Die zweite Hälfte des 19. Jahrhunderts war in der Politik vom Kampf liberaler und konservativer Kräfte geprägt. Die Konservativen hatten es, anders als im restlichen Tirol, schwer in Innsbruck, dessen Bevölkerung seit der Zeit Napoleons liberale Morgenluft geschnuppert hatte. Jede Seite hatte nicht nur Politiker, sondern auch Vereine und eigene Zeitungen. Steuern, Gesellschaftspolitik, Bildungswesen, Wohnbau und die Gestaltung des öffentlichen Raumes wurden mit Leidenschaft und Eifer diskutiert. Bedingt durch eine Wahlordnung, die auf das Stimmrecht über Vermögensklassen aufgebaut war, konnten nur etwa 10% der gesamten Innsbrucker Bevölkerung zur Wahlurne schreiten. Dabei galt das relative Wahlrecht innerhalb der drei Wahlkörper, was so viel heißt wie: The winner takes it all. Massenparteien wie die Sozialdemokraten konnten sich bis zur Wahlrechtsreform der Ersten Republik nicht durchsetzen. Bürgermeister wie Greil konnten auf 100% Rückhalt im Gemeinderat bauen, was die Entscheidungsfindung und Lenkung natürlich erheblich vereinfachte.

Greil belonged to the "Deutschen Volkspartei", a liberal and national-Great German party. What appears to us today as a contradiction, liberal and national, was a politically common and well-functioning pair of ideas in the 19th century. Pan-Germanism was not a political peculiarity of a radical right-wing minority, but rather a centrist trend, particularly in German-speaking cities of the Reich, which was important in varying forms through almost all parties until after the Second World War. Whoever issues the liberal Innsbrucker Nachrichten of the period around the turn of the century, you will find countless articles in which the common ground between the German Reich and the German-speaking countries was made the topic of the day.

Greil was a skilful politician who operated within the predetermined power structures of his time. He knew how to skilfully manoeuvre around the traditional powers, the monarchy and the clergy, and how to come to terms with them. Under him, the city purchased land with foresight in the spirit of the merchant in order to make projects possible. Under Wilhelm Greil, Innsbruck expanded considerably. Albert Gruber gave a warning speech on this growth in 1907, in which he warned against uncontrolled growth in urban planning and land speculation.

"It is the most difficult and responsible task facing our city fathers. Up until the 1980s (note: 1880), let's say in view of our circumstances, a certain slow pace was maintained in urban expansion. Since the last 10 years, however, it can be said that cityscapes have been expanding at a tremendous pace. Old houses are being torn down and new ones erected in their place. Of course, if this demolition and construction is carried out haphazardly, without any thought, only for the benefit of the individual, then disasters, so-called architectural crimes, usually occur. In order to prevent such haphazard building, which does not benefit the general public, every city must ensure that individuals cannot do as they please: the city must set a limit to unrestricted speculation in the area of urban expansion. This includes above all land speculation."

Der Politiker Greil konnte sich bei den großen Bauprojekten der Zeit auf die Beamten und Stadtplaner Eduard Klingler, Jakob Albert und Theodor Prachensky stützen. Eine weitere Bebauung mit Einzelhäusern war wegen des Bevölkerungswachstums nicht mehr möglich. 1898 wurde beschlossen, östlich der Claudiastraße nur noch Wohnblöcke anstatt der geordneten Villen im Cottage Stil der Jahrzehnte nach 1850 zu bauen. Auch Infrastrukturprojekte wie das neue Rathaus in der Maria-Theresienstraße 1897, die Hungerburgbahn 1906 und die Karwendelbahn were realised. Other projects included the renovation of the market square and the construction of the market hall.

Vieles, was in der zweiten Hälfte des 19. Jahrhunderts vorangetrieben wurde, gehört heute zum Alltag. Für die Menschen dieser Zeit waren diese Dinge aber eine echte Sensation und lebensverändernd. Die vier Jahrzehnte zwischen der Wirtschaftskrise 1873 und dem Ersten Weltkrieg von einem nie dagewesenen Wirtschaftswachstum und einer rasenden Modernisierung gekennzeichnet. Die Wirtschaft der Stadt boomte. Betriebe in Pradl und Wilten gründeten sich und lockten Arbeitskräfte an. Auch der Tourismus brachte frisches Kapital in die Stadt. Die Ansammlung an Menschen auf engstem Raum unter teils prekären Hygieneverhältnissen brachte gleichzeitig aber auch Probleme mit sich. Besonders die Randbezirke der Stadt wurden immer wieder von Typhus heimgesucht.

His predecessor, Mayor Heinrich Falk (1840 - 1917), had already contributed significantly to the modernisation of the town and the settlement of Saggen. Since 1859, the lighting of the city with gas pipelines had progressed steadily. Between 1887 and 1891, Innsbruck was equipped with a modern high-pressure water pipeline, which could also be used to supply flats on higher floors with fresh water. Wilhelm Greil arranged for the gas works in Pradl and the electricity works in Mühlau to be taken over into municipal ownership. The street lighting was converted to electric light.

Greil was able to secure Innsbrucker Renaissance on patrons from the town's middle classes. Baron Johann von Sieberer donated the old people's asylum and the orphanage in Saggen. Leonhard Lang donated the building, previously used as a hotel, to which the town hall moved from the old town in 1897, in return for the town's promise to build a home for apprentices.

In his last years in office, Greil accompanied Innsbruck through the transition from the Habsburg Monarchy to the Republic, a period characterised above all by hunger, misery, scarcity of resources and insecurity. He was 68 years old when Italian troops occupied the city after the First World War and Tyrol was divided at the Brenner Pass, which was particularly bitter for him as a representative of German nationalism.

In 1928, former mayor Greil died as an honorary citizen of the city of Innsbruck at the age of 78. Wilhelm-Greil-Straße was named after him during his lifetime.

The period between the French Revolution and the Battle of Königgrätz in 1866 was a period of war. The monarchies of Europe, led by the Habsburgs, had declared war on the French Republic. Fears were rife that the motto of the Revolution "Liberté, Égalité, Fraternité" could spread across Europe. A young general named Napoleon Bonaparte was with his italienischen Armee advanced across the Alps as part of the coalition wars and met the Austrian troops there. It was not just a war for territory and power, it was a battle of systems. The Grande Armee of the revolutionary French Republic met the arch-Catholic Habsburgs.

Tyrolean riflemen were involved in the fighting to defend the country's borders against the invading French. Companies such as the Höttinger Schützen, founded in 1796, faced the most advanced and best army in the world at the time. The Cult of the Sacred Heart, which still enjoys great popularity in Tyrol today, dates back to this time. In a hopeless situation, the Tyrolean troops renewed their covenant with the heart of Jesus to ask for protection. It was the abbot of Stams Monastery who petitioned the provincial estates to henceforth organise an annual "das Fest des göttlichen Herzens Jesu mit feierlichem Gottesdienst zu begehen, wenn Tirol von der drohenden Feindesgefahr befreit werde." Every year, the Sacred Heart celebrations were discussed and announced with great pomp in the press. Particularly in the 19th and early 20th centuries, they were an explosive mixture of popular superstition, Catholicism and national resentment against everything French and Italian. Alongside Cranach's Mother of Mercy, the depiction of the heart of Jesus is probably the most popular Christian motif in the Tyrolean region to this day and is emblazoned on the façades of countless houses.

In the war years of 1848, 1859 and 1866, the so-called Italian wars of unification. In the course of the 19th century, at the latest since 1848, there was a veritable national frenzy among young men. Volunteer armies sprang up in all regions of Europe. Students and academics who came together in their associations, gymnasts, marksmen, all wanted to prove their new love of the nation on the battlefield and supported the official armies. Probably the most famous battle of the Wars of unification took place in Solferino near Lake Garda in 1859. Horrified by the bloody events, Henry Durant decided to found the Red Cross. The writer Joseph Roth described the events in the first pages of his classic book, which is well worth reading Radetzkymarsch.

"In the battle of Solferino, he (note: Lieutenant Trotta) commanded a platoon as an infantry lieutenant. The battle had been going on for half an hour. Three paces in front of him he saw the white backs of his soldiers. The first row of his platoon was kneeling, the second was standing. Everyone was cheerful and certain of victory. They had eaten copiously and drunk brandy at the expense and in honour of the emperor, who had been in the field since yesterday. Here and there one fell out of line."

As a garrison town, Innsbruck was an important supply centre. After the Congress of Vienna, the Tyrolean Jägerkorps the k.k. Tiroler Kaiserjägerregiment an elite unit that was deployed in these conflicts. Volunteer units such as the Innsbruck academics or the Stubai Riflemen were fighting in Italy. The media fuelled the atmosphere away from the front line. The "Innsbrucker Zeitung" predigte in ihren Artikeln Kaisertreue und großdeutsch-tirolischen Nationalismus, wetterte gegen das Italienertum und Franzosen und pries den Mut Tiroler Soldaten.

"Die starke Besetzung der Höhen am Ausgange des Valsugana bei Primolano und le Tezze gab schon oft den Innsbrucker-Akademikern I. und den Stubaiern Anlaß, freiwillige Ercur:sionen gegen le Tezze, Fonzago und Fastro, als auch auf das rechte Brenta-Ufer und den Höhen gegen die kleinen Lager von den Sette comuni zu machen...Am 19. schon haben die Stubaier einige Feinde niedergestreckt, als sie sich das erste mal hinunterwagten, indem sie sich ihnen entgegenschlichen..."

The year 1866 was particularly costly for the Austrian Empire, with the loss of Veneto and Lombardy in Italy. At the same time, Prussia took the lead in the German Confederation, the successor organisation to the Holy Roman Empire of the German Nation. For Innsbruck, the withdrawal of the Habsburg Monarchy from the German Confederation meant that it had finally become a city on the western periphery of the empire. The tendency towards so-called Großdeutschen Lösung, also einer Staatlichkeit mit dem Deutschen Reich gemeinsam anstatt dem alleinstehenden Kaisertum Österreich, war in Innsbruck stärker ausgeprägt als im restlichen Land. Wie sehr diese Deutsche Frage die Stadt spaltete, zeigte sich noch über 30 Jahre später, als der Innsbrucker Gemeinderat dem Eisernen Kanzler Bismarck, der für den Bruderkrieg zwischen Österreich und Deutschland federführend verantwortlich war, eine Straße widmen wollte. Während sich kaisertreue Konservative entsetzt ob dieses Vorschlages zeigten, waren die großdeutschen Liberalen rund um Bürgermeister Wilhelm Greil begeistert ob dieser Geste der Vereinigung.

Die nationalen Bestrebungen der einzelnen Volksgruppen machten aber nicht nur ideell vor Tirol nicht halt, gehörte mit dem Trentino zwischen Salurn und Riva am Gardasee doch auch ein italienischsprachiger Teil zum Land. Im Tiroler Landtag forderten italienischsprachige Abgeordnete, sogenannte Irredentistsmore rights and autonomy for what was then South Tyrol. In Innsbruck, there were repeated tensions and clashes between Italian and German-speaking students. The WallschenThis term for Italians persists to this day and they were considered dishonourable, unreliable and lazy.

With the Tummelplatz, the Pradl military cemetery and the Kaiserjägermuseum on Mount Isel, Innsbruck has several places of remembrance of this time of great loss for the Habsburgs.

Today, Innsbruck is known as a business centre primarily for its university, hospital, administration and tourism. This was not always the case. The first early form of industrialisation began to develop in Innsbruck in the 15th century. Bell and weapon founders such as the Löfflers set up factories in Hötting, Mühlau and Dreiheiligen, which were among the leading factories of their time. Industry not only changed the rules of the social game with the influx of new workers and their families, it also had an impact on the appearance of Innsbruck. The workers, unlike the farmers, were not the subjects of any master. Capital from outside came into the city. Houses and churches were built. The large workshops changed the smell and sound of the city. The smelting works were noisy, the smoke from the furnaces polluted the air.

The second wave of industrialisation came late in Innsbruck compared to other European regions. Members of the lesser nobility invested the money they had received after 1848 as compensation for their land as part of the land relief in industry and business. Farmers without land travelled from the surrounding area to Innsbruck to find work. In 1838, the spinning machine arrived in Pradl over the Arlberg via the Dornbirn company Herrburger & Rhomberg. H&R had acquired a plot of land on the Sillgründe. Thanks to the river's water power, the site was ideal for the heavy machinery used in the textile industry. More than 20 companies used the Sill Canal around 1900, and the noise and exhaust fumes from the engines were hell for the neighbours, as a newspaper article from 1912 shows:

„Entrüstung ruft bei den Bewohnern des nächst dem Hauptbahnhofe gelegenen Stadtteiles der seit einiger Zeit in der hibler´schen Feigenkaffeefabrik aufgestellte Explosionsmotor hervor. Der Lärm, welchen diese Maschine fast den ganzen Tag ununterbrochen verbreitet, stört die ganz Umgebung in der empfindlichsten Weise und muß die umliegenden Wohnungen entwerten. In den am Bahnhofplatze liegenden Hotels sind die früher so gesuchten und beliebten Gartenzimmer kaum mehr zu vermieten. Noch schlimmer als der ruhestörende Lärm aber ist der Qualm und Gestank der neuen Maschine…“

Just like 400 years earlier, the Second Industrial Revolution changed the city forever. Neighbourhoods such as Pradl and Wilten grew rapidly. While the new wealthy business class had villas built in Wilten, Pradl and Saggen and middle-class employees lived in apartment blocks in the same neighbourhoods, the workers were housed in workers' hostels and mass accommodation.

After the revolutionary year of 1848 and the new circumstances, the everyday lives of many Innsbruck residents became even more bourgeois. Innsbruck experienced the kind of gentrification that can be observed today in trendy urban neighbourhoods such as Prenzlauer Berg in Berlin. In one of his texts, the Innsbruck writer Josef Leitgeb tells us how people experienced the urbanisation of the formerly rural area:

„…viel fremdes, billig gekleidetes Volk, in wachsenden Wohnblocks zusammengedrängt, morgens, mittags und abends die Straßen füllend, wenn es zur Arbeit ging oder von ihr kam, aus Werkstätten, Läden, Fabriken, vom Bahndienst, die Gesichter oft blaß und vorzeitig alternd, in Haltung, Sprache und Kleidung nichts Persönliches mehr, sondern ein Allgemeines, massenhaft Wiederholtes und Wiederholbares: städtischer Arbeitsmensch. Bahnhof und Gaswerk erschienen als Kern dieser neuen, unsäglich fremden Landschaft.“

The change from rural life in the village to the city involved more than just a change of location. While the landlord in the countryside was still the master of the private lives of his farmhands and maidservants and was able to determine their lifestyles up to the point of sexuality by releasing them for marriage, they were now at least somewhat freer individually. Beda Weber wrote about this in 1851:

„Their social circles are without constraint, and there is a distinctly metropolitan flavour that is not so easy to find elsewhere in Tyrol."

The hitherto unknown phenomenon of leisure time emerged and, together with disposable income, favoured hobbies for a larger number of people. Clubs of all kinds emerged. Parks such as the English Garden at Ambras Castle were no longer exclusively accessible to the aristocracy, but served as recreational areas for the general public. New green spaces such as Rapoldipark and Waltherpark were created.

The existing rifts between the city and the surrounding area deepened, which can still be seen to this day. Anyone travelling from the university city of Innsbruck to one of the nearby side valleys will find a completely different world. Starting with the spoken dialect, the Stubai Valley, just a few kilometres south of Innsbruck, is very different from the provincial capital, not to mention the more distant side valleys such as the Ötztal in the west or the Zillertal in the east of Tyrol.

In the 1920s and 30s, the NSDAP also grew and prospered in Tyrol. The first local branch of the NSDAP in Innsbruck was founded in 1923. With "Der Nationalsozialist - Combat Gazette for Tyrol and Vorarlberg“ erschien ein eigenes Wochenblatt. 1933 erlebte die NSDAP auch in Innsbruck einen kometenhaften Aufstieg. Die allgemeine Unzufriedenheit und Politikverdrossenheit der Bürger und theatralisch inszenierte Fackelzüge durch die Stadt samt hakenkreuzförmiger Bergfeuer auf der Nordkette im Wahlkampf verhalfen der Partei zu einem großen Zugewinn. Über 1800 Innsbrucker waren Mitglied der SA, die ihr Quartier in der Bürgerstraße 10 hatte. Konnten die Nationalsozialisten bei ihrem ersten Antreten bei einer Gemeinderatswahl 1921 nur 2,8% der Stimmen erringen, waren es bei den Wahlen 1933 bereits 41%. Neun Mandatare, darunter der spätere Bürgermeister Egon Denz und der Gauleiter Tirols Franz Hofer, zogen in den Gemeinderat ein. Nicht nur die Wahl Hitlers zum Reichskanzler in Deutschland, auch Kampagnen und Manifestationen in Innsbruck verhalfen der ab 1934 in Österreich verbotenen Partei zu diesem Ergebnis. Wie überall waren es auch in Innsbruck vor allem junge Menschen, die sich für den Nationalsozialismus begeisterten. Das Neue, das Aufräumen mit alten Hierarchien und Strukturen wie der katholischen Kirche, der Umbruch und der noch nie dagewesene Stil zogen sie an. Dass es immer wieder zu Gewaltausbrüchen kam, war für die Zwischenkriegszeit in Österreich nicht unüblich.

When the annexation of Austria to Germany took place in March 1938, a majority of almost 99% in Innsbruck also voted in favour. Even before Federal Chancellor Schuschnigg gave his last speech to the people before handing over power to the National Socialists with the words "God bless Austria" had closed on 11 March 1938, the National Socialists were already gathering in the city centre to celebrate the invasion of the German troops. The swastika flag was hoisted at the Tyrolean Landhaus, then still in Maria-Theresienstraße.

On 12 March, the people of Innsbruck gave the German military a frenetic welcome. A short time later, Adolf Hitler visited Innsbruck in person to be celebrated by the crowd. Archive photos show a euphoric crowd awaiting the Führer, the promise of salvation. After the economic hardship of the interwar period, the economic crisis and the governments under Dollfuß and Schuschnigg, people were tired and wanted change. What kind of change was initially less important than the change itself. "Showing them up there", that was Hitler's promise. The Wehrmacht and industry offered young people a perspective, even those who could do little with the ideology of National Socialism in and of itself. Unlike today, democracy was not something that anyone could have become accustomed to in the short period characterised by political extremes between the monarchy in 1918 and the elimination of parliament under Dollfuß in 1933. There is no need to abolish something that does not actually exist in the minds of the population.

Tyrol and Vorarlberg were combined into a Reichsgau with Innsbruck as its capital. There was no armed resistance, as the left in Tyrol was not strong enough. There were isolated instances of unorganised subversive behaviour by the Catholic population, especially in some rural communities around Innsbruck, and it was only very late that organised resistance was able to gain a foothold in Innsbruck.

However, the regime under Hofer and Gestapo chief Werner Hilliges did a great job of suppression. In Catholic Tyrol, the Church was the biggest obstacle. During National Socialism, the Catholic Church was systematically combated. Catholic schools were converted, youth organisations and associations were banned, monasteries were closed, religious education was abolished and a church tax was introduced. Particularly stubborn priests such as Otto Neururer were sent to concentration camps. Local politicians such as the later Innsbruck mayors Anton Melzer and Franz Greiter also had to flee or were arrested. To summarise the violence and crimes committed against the Jewish population, the clergy, political suspects, civilians and prisoners of war would go beyond the scope of this book.

The Gestapo headquarters were located at Herrengasse 1, where suspects were severely abused and sometimes beaten to death with fists. In 1941, the Reichenau labour camp was set up in Rossau near the Innsbruck building yard. Suspects of all kinds were kept here for forced labour in shabby barracks. Over 130 people died in this camp consisting of 20 barracks due to illness, the poor conditions, labour accidents or executions.

Prisoners were also forced to work at the Messerschmitt factory in the village of Kematen, 10 kilometres from Innsbruck. These included political prisoners, Russian prisoners of war and Jews. The forced labour included, among other things, the construction of the South Tyrolean settlements in the final phase or the tunnels to protect against air raids in the south of Innsbruck. In the Innsbruck clinic, disabled people and those deemed unacceptable by the system, such as homosexuals, were forcibly sterilised.

The memorials to the National Socialist era are few and far between. The Tiroler Landhaus with the Liberation Monument and the building of the Old University are the two most striking memorials. The forecourt of the university and a small column at the southern entrance to the hospital were also designed to commemorate what was probably the darkest chapter in Austria's history.

Like the course of the city's history, its appearance is also subject to constant change. The years around 1500 and between 1850 and 1900, when political, economic and social changes took place at a particularly rapid pace, produced particularly visible changes in the cityscape. However, the most drastic event with the greatest impact on the cityscape was probably the air raids on the city during the Second World War.

In addition to the food shortage, people suffered from what the National Socialists called the "Heimatfront" in the city were particularly affected by the Allied air raids. Innsbruck was an important supply station for supplies on the Italian front.

The first Allied air raid on the ill-prepared city took place on the night of 15-16 December 1943. 269 people fell victim to the bombs, 500 were injured and more than 1500 were left homeless. Over 300 buildings, mainly in Wilten and the city centre, were destroyed and damaged. On Monday 18 December, the following were found in the Innsbrucker Nachrichten, dem Vorgänger der Tiroler Tageszeitung, auf der Titelseite allerhand propagandistische Meldungen vom erfolgreichen und heroischen Abwehrkampf der Deutschen Wehrmacht an allen Fronten gegenüber dem Bündnis aus Anglo-Amerikanern und dem Russen, nicht aber vom Bombenangriff auf Innsbruck.

Bombenterror über Innsbruck

Innsbruck, 17. Dez. Der 16. Dezember wird in der Geschichte Innsbrucks als der Tag vermerkt bleiben, an dem der Luftterror der Anglo-Amerikaner die Gauhauptstadt mit der ganzen Schwere dieser gemeinen und brutalen Kampfweise, die man nicht mehr Kriegführung nennen kann, getroffen hat. In mehreren Wellen flogen feindliche Kampfverbände die Stadt an und richteten ihre Angriffe mit zahlreichen Spreng- und Brandbomben gegen die Wohngebiete. Schwerste Schäden an Wohngebäuden, an Krankenhäusern und anderen Gemeinschaftseinrichtungen waren das traurige, alle bisherigen Schäden übersteigende Ergebnis dieses verbrecherischen Überfalles, der über zahlreiche Familien unserer Stadt schwerste Leiden und empfindliche Belastung der Lebensführung, das bittere Los der Vernichtung liebgewordenen Besitzes, der Zerstörung von Heim und Herd und der Heimatlosigkeit gebracht hat. Grenzenloser Haß und das glühende Verlangen diese unmenschliche Untat mit schonungsloser Schärfe zu vergelten, sind die einzige Empfindung, die außer der Auseinandersetzung mit den eigenen und den Gemeinschaftssorgen alle Gemüter bewegt. Wir alle blicken voll Vertrauen auf unsere Soldaten und erwarten mit Zuversicht den Tag, an dem der Führer den Befehl geben wird, ihre geballte Kraft mit neuen Waffen gegen den Feind im Westen einzusetzen, der durch seinen Mord- und Brandterror gegen Wehrlose neuerdings bewiesen hat, daß er sich von den asiatischen Bestien im Osten durch nichts unterscheidet – es wäre denn durch größere Feigheit. Die Luftschutzeinrichtungen der Stadt haben sich ebenso bewährt, wie die Luftschutzdisziplin der Bevölkerung. Bis zur Stunde sind 26 Gefallene gemeldet, deren Zahl sich aller Voraussicht nach nicht wesentlich erhöhen dürfte. Die Hilfsmaßnahmen haben unter Führung der Partei und tatkräftigen Mitarbeit der Wehrmacht sofort und wirkungsvoll eingesetzt.

Diese durch Zensur und Gleichschaltung der Medien fantasievoll gestaltete Nachricht schaffte es gerade mal auf Seite 3. Prominenter wollte man die schlechte Vorbereitung der Stadt auf das absehbare Bombardement wohl nicht dem Volkskörper präsentieren. Ganz so groß wie 1938 nach dem Anschluss, als Hitler am 5. April von 100.000 Menschen in Innsbruck begeistert empfangen worden war, dürfte die Begeisterung für den Nationalsozialismus nicht mehr gewesen sein. Zu groß waren die Schäden an der Stadt und die persönlichen, tragischen Verluste in der Bevölkerung. Im Jänner 1944 begann man Luftschutzstollen und andere Schutzmaßnahmen zu errichten. Die Arbeiten wurden zu einem großen Teil von Gefangenen des Konzentrationslagers Reichenau durchgeführt.

Innsbruck was attacked a total of twenty-two times between 1943 and 1945. Almost 3833, i.e. almost 50%, of the city's buildings were damaged and 504 people died. Fortunately, the city was only the victim of targeted attacks. German cities such as Hamburg or Dresden were completely razed to the ground by the Allies with firestorms and tens of thousands of deaths within a few hours. Many buildings such as the Jesuit Church, Wilten Abbey, the Servite Church, the cathedral and the indoor swimming pool in Amraserstraße were hit.

Historic buildings and monuments received special treatment during the attacks. The Goldene Dachl was protected with a special construction, as was Maximilian's sarcophagus in the Hofkirche. The figures in the Hofkirche, the Schwarzen Mannderwere brought to Kundl. The Mother of Mercy, the famous picture from Innsbruck Cathedral, was transferred to Ötztal during the war.

The air-raid shelter tunnel south of Innsbruck on Brennerstrasse and the markings of houses with air-raid shelters with their black squares and white circles and arrows can still be seen today. In Pradl, where next to Wilten most of the buildings were damaged, bronze plaques on the affected houses indicate that they were hit by a bomb.

There are events that remain in the collective memory of a community for generations. You don't have to have been there, or even be in the world, to know that Franz Klammer raced to the gold medal in the Olympic downhill on the Patscherkofel on 5 February 1976 in his yellow one-piece suit. Franz Josef I may have climbed the Patscherkofel in 1848, but he became a legend on this mountain. Kaiser Franz Bracket. "Jawoll! 1;45,73 für unseren Franzi Klammer," could be heard from countless TV sets in Austria at the time. In order to be able to follow the national hero Klammer on his devil's ride, the schoolchildren were allowed to stay at home on the day of the men's downhill, just like in 1964. The streets were also empty during this hellish ride. Klammer achieved what many emperors, kings and politicians had failed to do. He united the nation of Austria. "Mi hats obageibtlt von oben bis unten, I hatt nie gedacht, dass i Bestzeit foaKlammer said in Carinthian dialect during the winner's interview. No Tyrolean, nobody is perfect, but the Olympic Games were already saved for the host nation Austria on the second day.

In 1976, the Winter Olympics were held in Innsbruck for the second time. It would actually have been Denver's turn, but due to a referendum on financial and environmental concerns, Colorado withdrew as host. Innsbruck prevailed as host in the second attempt against Lake Placid, Chamoix and Tampere.

It had hosted the Olympics for the first time 12 years earlier. From 29 January to 9 February 1964, Innsbruck was the hub after beating Calgary and Lahti in the bid. A severe lack of snow caused problems for the realisation of several events. It was only with the help of the Austrian army, which brought snow and ice from the high mountains to the competition venues, that the 34 competitions could be organised.

The opening ceremony in the packed Berg Isel Stadium can be clearly seen in archive photos. Unlike the elaborate ceremonies of today's Olympic Games, the procedure in the 1960s was still unspectacular. The Wilten town music under the direction of Sepp Tanzer, delighted the international guests with Tyrolean brass music. As the flags marched in, visitors were able to see the North Korean flag for the first time during the Olympic Games. The Tyrolean marksmen kept a watchful eye on the Olympic flame. Only the Olympic rings were placed over the city's coat of arms as a logo; there was no mascot yet.

The sports competitions were also less professionally organised than today's Olympic Games. The bobsleigh race took place on an artificial ice track for the first time, although not yet in today's Igl ice channel. Some of the ice hockey games were still held in the exhibition hall in a very moderate setting. Skiing competitions, such as the women's slalom and giant slalom, in which the French sisters Christine and Marielle Goitschel won gold and silver in different combinations, took place in the Axamer Lizum. According to official figures, 80,000 spectators watched the spectacle on Mount Isel as the Finn Veikko Kankonnen secured gold in the ski jumping event. In the ice hockey final, the Soviet Union triumphed ahead of Sweden. With 11 gold medals, the USSR also secured first place in the medals table, while Austria sensationally came second with four golds.

The opening of the 1976 Games also took place on Berg Isel. In memory of 1964, two flames were lit on Mount Isel during the opening ceremony. Most of the 37 competitions this time took place at the same venues in Innsbruck, Axams, Igls and Seefeld as in 1964. The ice stadium and ski jumping arena were still suitable for the Olympics. A new artificial ice rink was built in Igls. The Axamer Lizum was given a new standing track to allow the athletes to start on the Hoadl to bring.

In 1976, snow was once again in short supply in the run-up to the event and there were fears once again, but the weather changed at the last moment and Innsbruck was given the white gold. The Schneemanndla round snowman with a carrot nose and Tyrolean hat, the mascot of the 1976 Games was probably a good omen.

The biggest change between the two Olympic Games within twelve years was the status of the athletes. While only amateurs, i.e. athletes who were pursuing a profession, were officially allowed to compete at the first Games, professional athletes were able to compete in 1976.

The transmission and photo quality was also much better than in the first Innsbruck edition. Television had now overtaken radio. The German ski racer Rosi Mittermaier was perfectly staged on her runs to double gold and silver in the women's ski races. The ice hockey tournament was again won by the Soviet Union ahead of Sweden, for the fourth time in a row. The medals table also saw the USSR at the top again, this time ahead of the GDR. Austria only managed to win two gold medals. With Klammer's gold in the downhill, however, this was only a minor matter. The Patscherkofel and Austria's Franzi sind seither untrennbar miteinander verbunden. Und auch wenn die Innsbrucker nicht ganz so sportlich sind, wie sie gerne wären, den Titel der Olympiastadt kann nach zwei Ausgaben plus einer Universiade und den Youth Olympic Games niemand wegdiskutieren.

The city, supported by federal funds, was also very generous with the non-sporting infrastructure for both games. Following the rapid reconstruction of the city after the war, the city was modernised in the run-up to the Games. Innsbruck's first Olympic edition took place during the period of the economic miracle. In 1963, the Olympic Bridge, which connected the west of the city with the competition venues, was built. Until then, Innsbruck's east-west traffic had travelled through the city centre in a complicated manner. The individual streets between Amraser-See-Straße in the east and Bachlechnerstraße in the west, which make up the Südring arterial road today, were only subsequently developed and were previously quiet parts of the suburbs. Meadows and fields characterised the scenery. The comparison of aerial photographs from 1960 and 2020 is fascinating. In Amras, where today the daily Rush Hour abspielt, bis in die 1970er Jahre Bauernhöfe und einzelne Wohnhäuser. In der heutigen Egger-Lienz-Straße beim Westbahnhof verlief das Bahnviadukt der Westbahn. Alte Fotos zeigen die Gleise, daneben Bäume und spielende Kinder. Rund um die heutige Graßmayr junction a new neighbourhood was created almost in passing. The Department stores' forumwhich today houses a cinema, was a sensation and a sign of Innsbruck's modernisation.

An Olympic village was built twice and living space was created that is still in use today. Part of the former village of Arzl, which had belonged to Innsbruck since 1940, was chosen for this purpose. Today's district O-Village in the east of the city functioned as an Olympic village for the athletes during the Games, which was connected to the city centre and the competition venues by the Reichenau Bridge over the Inn. Construction of the first blocks of flats began in the sparsely populated Arzler Au in 1961. The Arzler shooting range, which can still be seen on a map from 1960, was relocated one step further up the valley. Further blocks were added in the 1970s. Today, despite the less tranquil 1960s and 1970s-style tower blocks, O-Dorf is a neighbourhood worth living in thanks to its location on the Inn, the green spaces and the good public transport connections.

Many other buildings in Innsbruck, which were used as infrastructure for the press and media during the Olympics, also date back to the Olympic Games. The Pädagogische Akademie PÄDAK in Wilten, the IVB-Halle and the Landessportheim can be regarded as Olympic heritage. The less magnificent building that houses the former Holiday Inn hotel next to the Triumphal Gate, which has undergone a number of changes of operator in recent decades, was also built as part of the Olympic Renaissance. Another legacy of the Olympic Games is something that people are desperately trying to change today: The Olympic-induced growth coincided with the early heyday of the automobile in the 1960s and 1970s.

For Innsbruck, the Olympic Games were not only a starting point for modernity in terms of winter sports and infrastructure. The events also mentally put an end to the stale atmosphere of the grey post-war period and spread a feeling of departure from the status of a provincial nest. It may no longer have been a royal seat as in Maximilian's time, but at least it was back on the international map. Thanks be to Emperor Franz!