Goldenes Dachl
Herzog-Friedrich-Straße
Worth knowing
Before the Golden Roof began its long and arduous journey to becoming the city’s landmark, it had to fulfill many roles and functions. As Innsbruck grew in importance for Tyrol, Friedrich IV had the Neuhof built around 1420. The Andechs Castle did not meet Friedrich’s idea of a residence. Eighty years later, even the Neuhof was no longer representative enough for the new ruler’s expectations. Emperor Maximilian’s court was considerably larger than that of his predecessors. He moved into the more spacious Hofburg. From then on, the centrally located Neuhof was to serve only as an imperial ornament. Maximilian had court architect Türing add the present-day ornamental balcony with its 2,657 gilded shingles so he could watch the events on the town square and present himself at the same time. Where tourists from all over the world now take photos, Maximilian once watched retro-style knight tournaments, court trials, and executions. These medieval-style competitions were meant to entertain the court and visitors. Maximilian’s second wife, Bianca Maria Sforza, who spent many years at the Innsbruck court, particularly promoted these shows to escape the boredom of the small town. Compared to her home city of Milan—where Leonardo da Vinci was employed as a court artist and architect at the time—Innsbruck could not compete, despite its lavish court life.
The ornamental balcony in the city center also served as a symbol of power. The common people were never to forget who ruled them. The rules of the game then were similar to those of today: the financial elite built a skyline in New York during the boom after World War I to showcase their power; 100 years later, Dubai erected the Burj Khalifa as a symbol of oil wealth. The Emperor of the Holy Roman Empire, on the other hand, had the roof of his viewing balcony gilded and adorned with the insignia of his rule. The reliefs beneath the balcony show the territories Maximilian ruled: from left to right, the coats of arms of Austria, Hungary, the Holy Roman Empire, Germany, Burgundy, Milan, Styria, and Tyrol. Knights and animal figures guard the Habsburg possessions. It is quite possible that the frieze, originally completed in 1500, was replaced a few years later after Maximilian was crowned emperor in 1508. The paintings on the front show the emperor with his two wives, Mary of Burgundy and Bianca Maria Sforza. Their appearances are telling: Maximilian always portrayed his marriage to Mary of Burgundy as a love match, while his second marriage was considered more of a business arrangement. Mary of Burgundy is shown modestly, with her hair covered by a hood, while Bianca Maria Sforza’s locks cascade freely. Mary of Burgundy died young and beautiful in a riding accident, but she gave the Habsburgs two future emperors—Charles and Ferdinand. The idealized portrayal of both women symbolizes their importance to Maximilian. Scenes of medieval courtly life decorate the façade, in keeping with Maximilian’s taste. One figure represents Emperor Frederick III, Maximilian’s father, who is mockingly depicted with a cap bearing donkey ears. The sandstone Moorish dancers twist their limbs over monkeys and dogs. Some symbols and reliefs still puzzle researchers today. One of them—the secret script visible on the band behind the dancers and figures on the upper relief panels—was only deciphered in 2020. It reads:
“Ego sum lux mundi qui sequitur me non ambulabit in tenebris sed habebit lucem vitae dicit dominus” Translated: *“…I am the light of the world. Whoever follows me will not walk in darkness but will have the light of life, says the Lord.”
Much of the painting work was done by court painter Jörg Kölderer, who decorated many buildings and rooms built around 1500 with his art. He also authored the Hunting Book, the Fishing Book, and the Armory Book, which depict activities surrounding weapons production in the arsenal. On the ceiling beneath the balcony are whimsical figures, some in poses considered quite risqué for the 16th century. Beneath the balcony, you can also see a memorial plaque for Jakob Hutter, who was convicted and executed.
After Innsbruck’s time as a Habsburg residence city, the history of the Golden Roof shifted into reverse. The rationalism of Emperor Joseph’s era showed no mercy to the former imperial showroom of vanity. In 1780, the building was converted into a barracks, transforming it from a symbol of power back into a utilitarian space. The lean years following the Napoleonic Wars did not spare the Old Town and its historic buildings either. Appreciation for the Gothic houses—now naturally protected as monuments—was not yet common in the 19th century. That more was not lost is mainly due to the lack of economic resources at the time. In 1822, during a renovation to convert it into an apartment building, the façade received its present appearance. In 1853, the Golden Roof hosted classes for students of the newly founded Federal Secondary School during its first year. Today, the Golden Roof houses a small museum dedicated to Innsbruck’s city history and Emperor Maximilian. It also serves as Innsbruck’s registry office, where couples exchange vows. The square in front of the ornate balcony is especially picturesque during the Christmas season when the Christmas market and tree are set up.
The Innsbruck witch trial of 1485
The Middle Ages are often portrayed in books and films as a dark age in which tyrannical aristocrats and bloodthirsty robber barons oppressed mouse-grey clad peasants and women were burned at the stake as witches without trial. This depiction does not correspond to the facts in any way. The Middle Ages were not a colourless era, in fact the period up to 1500 was extremely colourful, nor was it characterised by lawlessness and arbitrariness. The Middle Ages were also not the great time of large-scale witch burnings. This dark episode would not begin until the 16th century. This dark chapter in history began in 1485, partly in Innsbruck with the involvement of Heinrich Kramer, the author of the Witch hammers.
The economic and social circumstances in cities such as pre-modern Innsbruck were a good breeding ground for witch trials. Cities grew at an above-average rate. Officials, court servants, showmen, soldiers, merchants and other "foreign people" caused insecurity. The mortality rate for children under the age of 10 was close to 50%. There were also no weather reports on which farmers could base their activities. Food was permanently scarce, which led to an increased incidence of diseases and deformities of all kinds. Medicine and science were not yet ready to explain all this.
Many things were therefore attributed to supernatural powers. People's superstitions included black magic, which was harmful, and white magic, which was helpful. Saints were asked for help. Processions and prayers were supposed to help people avoid the devil and damnation in the afterlife. Harmful objects such as bone splinters from unbaptised deceased children or pieces of wood from a gallows brought bad luck, while relics were highly sought-after artefacts to protect against this. Even the smallest particles of a saint's body were believed to have powers that could work miracles. Love or sickness spells, curses, devil worship - the reasons why one could be accused of witchcraft in 15th century Innsbruck were manifold.
Heinrich Kramer was a misogynistic, superstitious religious zealot, driven by a belief in the devil and the apocalypse, who unfortunately had been authorised by the Pope to hunt witches and who took advantage of this situation. Like a showman, he travelled the country as an inquisitor and came to Innsbruck in 1485. His lectures and sermons on magic and sorcery fell on fertile ground in Innsbruck. Kramer encouraged his audience to report suspects of witchcraft, which was gratefully accepted. Envy and envy were part of everyday life within the city community. Settling disputes by means of denunciation was a method that some townspeople liked to utilise. 50 people, the majority of them women, were suspected of witchcraft after being denounced by fellow citizens on charges of heresy. After arrests and interrogations, seven people were charged and threatened with the death penalty. The reasons for the charges were manifold. Helene Scheuberin, for example, was accused of having poisoned the knight Jörg Spiess by magic.
It was Bishop Golser of Bressanone who doubted Kramer's account and intervened. His envoy found serious procedural flaws. A lawyer was appointed to represent all seven accused women in court. In the end, all the suspects were released. The bishop asked Kramer to leave Tyrol. "In der Praxis zeigte sich seine Dummheit, denn er unterstellt vieles, was gar nicht erwiesen war," wrote Golser in a letter. This disappointing trial was the start of a dubious career for Kramer, whose honour had been insulted. Following this episode, he wrote his work Der Hexenhammer. Er leitete es sogar bezugnehmend auf Innsbruck ein mit „aber was, wenn ich alle (Fälle) berichten wollte, die allein in jener Stadt gefunden worden sind? Es hieße, ein Buch zu verfassen.“
Kramer's work became the standard work of the inquisitors of Europe. Almost at the same time, book printing celebrated its major breakthrough around 1500 and simplified the distribution of this guide to witch hunting and trials. It should be noted that most witch trials were not heard in church courts. Heresy was a secular crime, for which there were guidelines, at least on paper. Torture was regulated, which did not make it any less terrible, but at least took away some of the arbitrariness.
In Europe, it is estimated that between 100,000 and 150,000 people died as heretics, witches and sorcerers. This affected elites who aroused envy as well as Protestants, marginalised groups and the socially disadvantaged, who were scapegoats for bad weather, illness and other misfortune. The ratio between men and women was around 1:3. Innsbruck was to be spared further waves of witch hunts after 1485. The intervention of Golser and some of the people of Innsbruck played a decisive role in this.
Reform and rebellion: Jakob Hutter and Michael Gaismair
The first years of Emperor Ferdinand I's reign (1503 - 1564) as sovereign of Tyrol were characterised by theological and social unrest. Theological and social tensions increased during this crisis-ridden period. Siegmund's lavish court management and Maximilian's wars, including the pledging of a large part of the state's assets to foreign entrepreneurs and financiers, had put Tyrol's financial situation in dire straits. The new law, which had been introduced by Maximilian's administration, stood in contrast to the old customary law. Hunting in the forest and searching for firewood had thus become illegal for the majority of the population. The loss of these Universal rights and the ever-increasing burden of taxes had a negative impact on small farmers, day labourers, farmhands and other labourers. Pofel massive impact. In Tyrol at this time, Jakob Hutter (1500 - 1536) and Michael Gaismair (1490 - 1532) were two men who demanded more social justice, threatened the existing order and paid for it with their lives.
Jakob Hutter was the figurehead of the Anabaptists active in Tyrol, particularly in the Lower Inn Valley and the Puster Valley. The first signs of the Little Ice Age caused an increase in crop failures. Many people saw this as a punishment from God for people's sinful lives. Sects such as the Anabaptists preached the pure doctrine of religion in order to free themselves from this guilt and restore order. The Roman Church and Ferdinand I were particularly displeased by their attitude towards worldly possessions, infant baptism and their open dislike of secular and ecclesiastical authorities. People should freely express their will to join Christianity as adult and responsible citizens and not be baptised as babies.
The Anabaptists posed a threat to public order for the strictly religious Prince Ferdinand, who was loyal to the Pope. A large proportion of the population, groaning under the financial difficulties following Maximilian's expensive reign, welcomed them as scapegoats who brought disaster upon the country with their godless behaviour. Rejecting Catholicism as a guiding social principle in the 16th century would be comparable to denying the existence of the Republic of Austria as a state authority by political extremists. The witch craze passed Innsbruck by, but as early as 1524 three Anabaptists in Innsbruck were tried before the Goldenen Dachl burnt at the stake for heresy. Five years later, following a letter from Ferdinand, thousands of Anabaptists were expelled from the country and emigrated to Moravia, today's Czech Republic, where they were tolerated.
One of them was Hutter. Having grown up in South Tyrol, his apprenticeship and journeyman years as a hatter took him to Prague and Carinthia, where he probably first came into contact with the Anabaptists and their teachings. When the religious community was also expelled from Moravia in 1535, Jakob Hutter returned to Tyrol. He was captured, taken to Innsbruck and imprisoned in the Kräuterturm tortured. As the leader of the heretics for his activities in 1536, he was tried before the Goldenen Dachl burnt at the stake.
The community of Hutterischen Brüder kam nach ihrer endgültigen Vertreibung aus den deutschen Ländern und langen Irrfahrten und Fluchten quer durch Europa im 19. Jahrhundert in Nordamerika an. Noch heute gibt es einige hundert Hutterer Kolonien in Kanada und den USA, die noch immer nach dem Gebot der Jerusalemer Gütergemeinschaft in einer Art kommunistischem Urchristentum leben. Wie die Mennoniten und die Amisch leben die Hutterer meist isoliert von der Außenwelt und haben sich eine eigene Form der an das Deutsche angelehnten Sprache erhalten. In Innsbruck erinnern eine kleine Tafel am Goldenen Dachl sowie eine Straße im Westen der Stadt an Jakob Hutter. 2008 hatten die Bischöfe von Brixen und Innsbruck gemeinsam mit den Landeshauptleuten Nord- und Südtirols in einem Brief an den Ältestenrat der Hutterischen Brüder das knapp 500 Jahre vergangene Unrecht an der Täufergemeinschaft eingestanden. 2015 wurde im Saggen eein paar Schritte südwestlich des Panoramagebäudes der Huttererpark eröffnet, in dem das Denkmal „Übrige Brocken“ an das Schicksal und Leid der Verfolgten erinnert.
Der größte Aufruhr im Zuge der Reformation in Tirol war der Bauernaufstand ab 1525, der eng mit dem Namen Michael Gaismairs verbunden ist. Anders als Hutter, der vor allem eine spirituelle Erneuerung forderte, wollte Gaismair auch soziale Veränderungen vorantreiben. Der Tiroler Aufstand war ein Teil dessen, was als Deutscher Bauernkrieg große Teile des Heiligen Römischen Reiches was shaken. It was partly reformist, theological fervour, partly dissatisfaction with the social situation and distribution of goods that drove the rebels. Gaismair was not a theologian. He was the son of a mining entrepreneur, one could say educated middle class. He probably studied law at an Italian university before becoming a mine clerk at the Schwaz mine. In 1518 he entered the service of the Tyrolean governor Leonhard von Völs, where he gained military and administrative experience. In 1524, presumably after some kind of corruption scandal, he moved into the service of the Bishop of Brixen. The bishop was both the ecclesiastical and secular prince of his diocese. He was very unpopular with his subjects, as he was considered a strict ruler and demanded more robbery and indentured labour than the Tyrolean ruler. Here, Gaismair saw first-hand how the clergy's sovereign administration and strict jurisdiction enslaved the subjects.
In May 1525, he took part in one of the uprisings, which were also fuelled by news of the peasant uprisings in southern Germany. Many of the Tyrolean subjects had served as soldiers in Maximilian's Italian wars and had military experience. Although they had no cavalry at their disposal and lacked strategic leadership, some of the groups were organised in a military sense. They were joined by discontented townspeople, handers and other Pofel. One of these bands of peasants invaded the Neustift monastery. Not only were the bishop's property and wine stocks plundered, but the Urbare, the records relating to jurisdiction, property, debts and obligations of the peasants to the lord of the manor, were also destroyed. The day after the monastery was taken, the rebels elected Gaismair as their captain. It was probably his military experience, his education and his knowledge of the military strengths and weaknesses of both the governor of Tyrol and the bishops of Brixen and Trento that earned him their trust.
Over the next few days, the uprising gained momentum in an uncoordinated manner and spread across large parts of Tyrol. There were attacks on church institutions and hated foreign trading organisations such as the Fuggers. While some of the detachments and groups made serious demands and posed a real threat to the authorities, others were out for the fun of rebellion and looting. In Innsbruck, Wilten Abbey was besieged as a manorial seat, but the peasants quickly abandoned their plan after receiving wine and meat from the abbot's storehouses.
In order to gain time and gather together, the government under Ferdinand convened a provincial parliament in Innsbruck. The concerns of the subjects were set out in a catalogue of complaints, the 62 Merano articles collected later on 96 Innsbruck articles were extended. During the negotiations between the sovereigns, nobility, clergy, burghers and peasants, Gaismair continued to reside in Brixen and tried to establish his regiment in the area along the Eisack.
It was only during the summer that he travelled to Innsbruck to negotiate with Ferdinand. Although he was promised free passage, the man who represented the greatest danger in the eyes of the authorities was imprisoned. After his rather unspectacular escape in October 1525, it seems unlikely that he was actually imprisoned in the Kräuterturm. After some time in his home town of Sterzing, the prince's troops seem to have been unable to gain access to the Most Wanted having had a chance, he travelled to the Swiss West. In Zurich, he met Huldyrich Zwingli. Probably inspired by him, Gaismair wrote a draft for a Tyrolean constitution. The clergy were to concern themselves with the salvation of their subjects rather than politics. Land and goods such as mining yields were to be distributed in a socially just manner and interest was to be abolished. The restrictions on hunting and fishing imposed on the Tyroleans by Ferdinand's predecessor Maximilian I were to be lifted. One of the articles read:
„As far as the tithe is concerned, everyone should give it according to the commandment of God, and it should be used as follows: Let every parish have a priest according to the teaching of the Apostle Paul, whom the word of God proclaims to the people... what is left over is to be given to the poor."
In the meantime, however, the Tyrolean prince was back in control. The rebellions in the county of Tyrol and the prince-bishoprics of Brixen and Trento had collapsed after Ferdinand made concessions. Some of the points from the complaint catalogues were included by the prince in the provincial ordinance in order to pacify the dissatisfied population. Some of the ringleaders of the uprisings fled, others were cruelly and demonstratively executed. Michael Gaismair, now radicalised, moved with some of his men from Graubünden to the southern part of Salzburg and took part in the Salzburg peasant uprising 1526 participated.
The reputation of his military successes reached the Republic of Venice, which had been in constant conflict with the Habsburgs since the war with Siegmund the Rich in Coin in 1477. Gaismair was recognised as CondottiereThe Venetians probably also wanted to seize the knowledge of the former official of the Bishop of Bressanone and the provincial governor about the conditions in the enemy's country. However, he soon fell out of favour here too. Not only did the Doge of Venice make peace with the Habsburgs, but his anti-Catholic stance and his non-conformist lifestyle also aroused envy and envy. In 1532, he was murdered with more than 40 stab wounds at his country residence near Venice. It is not clear which of the many powers he had antagonised was behind this, but the contract killers were probably commissioned by the royal court in Innsbruck.
No less interesting than his life is his post-mortem career. Gaismair never made it to the general fame of Andreas Hofer in Tyrol. Unlike Hofer, who rose up as a good Catholic against a foreign power, Gaismair was an insurgent, an unpleasant and lateral thinker. A play about the peasant leader by Franz Kranewitter was published in 1899. In the 20th century, Gaismair was interpreted as a fighter against the monarchy and clergy, by the National Socialists as a German hero and liberator of the peasants or by the left as an early communist. The generation of 1968 celebrated the actually pious and God-fearing revolutionary for his ideas on the communisation of property. The Tyrolean journalist and historian Claus Gatterer wrote about the constant reinterpretation of the figure of Gaismair:
„How much truth is a people allowed to know about its past, about the growth and development of its present? .... According to the respective ideology, long-deserved heroes and saints are toppled from their pedestals and replaced by others who have been disregarded until then; or an established saint is given a new biography without further ado, which fits in with current requirements in terms of the motivation for action.“
There are hardly any memorials or monuments to Michael Gaismair and the peasant uprising of 1525 in Innsbruck. In Wilten, a street and a secondary school named after him commemorate him.
Siegmund der Münzreiche
On Friedl mit der leeren Tasche followed Siegmund der Münzreiche as Prince of Tyrol. Siegmund of Tyrol (1427 - 1496) had the worst possible start to his reign. When his father Frederick died, Siegmund was only 12 years old. He was therefore taken over by his uncle Frederick III, the Emperor of the Holy Roman Empire and father of Maximilian I, into involuntary custody and guardianship. You could say that Siegmund began his career as a hostage of the emperor, his own cousin. Tyrol was now a rich county and the emperor was reluctant to relinquish direct control over it. It was only when the Tyrolean estates protested against this paternalism that Siegmund was able to take office. The Tyrolean Diet had taken over the reins of government in the absence of a sovereign prince, thereby demonstrating its political clout. At the age of 18, Siegmund moved to Innsbruck to take over the official duties. Four years later, he married Eleanor of Scotland (1433 - 1480), the visually unattractive 16-year-old daughter of King James of the House of Stewart. The marriage was to remain childless.
Under Prince Siegmund, there were many innovations on the one hand and a bloated and expensive court on the other. In Innsbruck and the surrounding area, urban life attracted new crafts. In 1453, the princely silver smelter opened in today's Universitätsstraße. In 1484, Siegmund had the mint moved from Meran in South Tyrol to Hall, which earned him the nickname Siegmund der Münzreiche brought in. Two years later, a princely mill was built on the Sill Canal, which was to form the basis for the early industrialisation that developed in the following years. He issued the Schwaz mountain regulations, which was to become the model for all Habsburg mines. Mining officials were given more rights within their sphere of influence, similar to the universities. There were special regulations for miners within society, as they were a highly sought-after labour force. One can speak of an early social and labour law agreement. The miners worked hard, but earned relatively well. The same applied to the mint and the Hall salt works. A wealthy middle class began to emerge.
During his opulent reign, Innsbruck had become a centre of attraction for craftsmen, goldsmiths and artists. The immigrants often came from the aristocracy and did not want to give up their lifestyle in Innsbruck. A special form of metal industry established itself in Mühlau. Plattner created armour and harnesses for noblemen who wanted to present themselves in a manner befitting their status, both on military campaigns and at tournaments. Siegmund was their best customer. He bought a number of tournament armours for himself and as appreciative gifts for aristocrats of foreign courts and guests of honour. The workshops on the Mühlaubach became the leading workshops of their kind in the world. It was not until the 17th century that the richly decorated armour went out of fashion. The city tower near the Old Town Hall as an expression of the city's prosperity and the first parts of the Hofburg were built under Siegmund. A glass painter settled in Innsbruck. The court library grew in step with Siegmund and Eleonore's humanistically scholarly guests. Both were considered art-loving and interested in literature. Before the invention of printing, books were an expensive hobby. Travellers and showmen were also welcome at court to entertain local and international guests.
Siegmund's opulent lifestyle not only cost him a lot of money, but also his political reputation and, at the end of his career, probably also the princely throne. His second marriage was to Katharina of Saxony (1468 - 1524), a lady from a highly aristocratic electoral family. It was probably also thanks to the influence and court behaviour of Siegmund and his two wives that the expenses of the Coin rich exceeded the income from taxes, salt works and mines in the long term. At the royal wedding in 1484, the bride's procession alone comprised 54 carriages. The guests had to be accommodated and catered for in Innsbruck. Even with a wife 40 years his junior, the now senile Siegmund was granted a male heir, which must have been particularly bitter for him considering the 30 children he was rumoured to have fathered out of wedlock.
At the same time, times became tougher for those who could not keep up with the new pace of life in the city. It can be assumed that there were around 2000 townspeople at this time. Sigmund's court consisted of 500 people, not including his wife's court. These "strangers" caused a sensation in Innsbruck. The gap between the social classes grew. The witch trial of 1485 took place in a climate of envy, resentment and scepticism towards the new customs that were taking hold in Innsbruck.
Siegmund was not the most successful ruler of Tyrol, but is still fondly remembered today thanks to his services to the cultural upswing in Innsbruck. At the end of his reign, his court was overly bloated and expensive. A lost war with the Swiss Confederates obliged him to make payments, and a war with Venice also ended badly. Siegmund had to hand over Habsburg possessions in Alsace and what is now Breisgau to Charles the bold of Burgundy, the future father-in-law of Maximilian I. He sold the Austrian Forelands to the Duchy of Bavaria for a ridiculously low price and pledged the Tyrolean silver mines to Jakob Fugger. The Bavarian Wittelsbachs wanted to bring Tyrol back under their control through an inheritance agreement with Sigmund, who was mentally deranged due to his age. Only imperial pressure and the hasty intervention of the Tyrolean estates and Maximilian made it possible for the land to remain with the House of Habsburg.
Maximilian I. und seine Zeit
Maximilian is one of the most important personalities in European and Innsbruck city history. He is said to have said about Tyrol: "Tirol ist ein grober Bauernkittel, der aber gut wärmt." Perhaps it was not only Innsbruck's location in the middle of the mountains that was a reason for his affection, Maximilian was a keen hunter. His father Friedrich III was born in Innsbruck in 1415. It certainly paid off for the city. During his reign, Maximilian turned Innsbruck into one of the most important centres of the Holy Roman Empire, changing its fortunes for good. "Wer immer sich im Leben kein Gedächtnis macht, der hat nach seinem Tod kein Gedächtnis und derselbe Mensch wird mit dem Glockenton vergessen.“ Maximilian actively and successfully countered this fear by erecting highly visible symbols of imperial power such as the Goldenen Dachl against. Propaganda, images and the media played an increasingly important role, partly due to the burgeoning printing press. Maximilian used art and culture to maintain his presence. For example, he kept an imperial choir, a music band that was mainly used for public appearances and receptions of international envoys. He had a veritable cult of personality organised around himself with coins, books, printed matter and paintings.
For all the romanticism that this lover of courtly traditions and chivalry cultivated, he was a cool-headed power politician. Under him, political institutions such as the Imperial Diet, the Imperial Court of Justice and the Imperial Chamber Court were established, which strictly regulated the relationship between subjects, sovereign and monarchy. Around 1500, Tyrol had around 300,000 inhabitants. More than 80% of the people worked in agriculture and lived for the most part from the yields of the farms. In a veritable furore of new laws, Maximilian curtailed the peasants' rights to the commons. Logging, hunting and fishing were placed under the control of the sovereign and were no longer common property. This had a negative impact on peasant self-sufficiency. Thanks to the new laws, hunters became poachers. Meat and fish had long been part of the diet in the Middle Ages, but now this indulgence became a luxury that could often only be obtained illegally. Maximilian was therefore unpopular with a large part of the population during his lifetime.
Restrictions on self-sufficiency were joined by new taxes. It had always been customary for sovereigns to impose additional taxes on the population in the event of war. Maximilian's warfare differed from medieval conflicts. The auxiliary troops and their noble, chivalrous landlords were supplemented or completely replaced by mercenaries who knew how to use modern firearms.
Diese neue Art ins Feld zu ziehen, verschlang Unsummen. Als die Erträge aus den landesfürstlichen Besitzungen wie Münz-, Markt-, Bergwerks-, und Zollregal nicht mehr ausreichten, wurden die einzelnen Bevölkerungsgruppen je nach Stand und Vermögen besteuert, jedoch war die Steuer noch weit entfernt von unserem heutigen ausdifferenzierten System und brachten dementsprechend Ungerechtigkeit und Unmut mit sich. Ein Beispiel für eine Abgabe war Maximilians Common penny. The wealth tax amounted to between 0.1 and 0.5% of wealth, but was capped at 1 guilder. Jews had to pay a poll tax of 1 guilder regardless of their wealth. For the first time, princes were also asked to pay, but due to the cap, they paid a maximum of the same amount as a middle-class Jew. Prelates, priests and secular lords were responsible for announcing and enforcing the tax. Pastors had to announce the tax from the pulpit on three Sundays, collect the contributions together with representatives of the courts and enter them in the Imperial Tax Register.
It was quickly realised that this type of tax collection did not work. A modern system and tax model was needed. A collegial chamber, the Regiment, centrally supervised the provinces of Tyrol and Vorderösterreich according to the modern model of Burgundian finance, which Maximilian had learnt about during his time in the Netherlands. Innsbruck became the financial and accounting centre for the Austrian lands. The Rait chamber and the House chamber were located in the Neuhof, where today the Goldene Dachl über die Altstadt residiert. 1496 wurden die finanziellen Mittel der österreichischen Erbländer in der Schatzkammer in Innsbruck gebündelt. Vorsitzender der Hofkammer war der Brixner Bischof Melchior von Meckau, der mehr und mehr die Fugger als Kreditgeber miteinbezog. Beamten wie Jakob Villinger (1480 - 1529) wickelten in der italienisch geprägten Form der doppelten Buchhaltung den Geldverkehr mit Bankhäusern aus ganz Europa ab und probierten den kaiserlichen Finanzhaushalt in Zaum zu halten. Talentierte Kleinadelige und Bürger, studierte Juristen und ausgebildete Beamten lösten den Hochadel in bestimmender Funktion ab. Finanzexperten aus Burgund hatten die kaufmännische Leiter des Regiments über. Die Übergänge zwischen Finanz- und anderen Feldern wie Kriegsplanung und Innenpolitik waren fließend, was der neuen Beamtenschicht große Macht verlieh. War es bisher üblich, dass das Gleichgewicht zwischen Landesfürsten, Kirche, Grundherr und Untertan aus Beitrag und militärischem Schutz bestand, wurde dieses System nun durch Zwang von der Obrigkeit durchgesetzt. Maximilian argumentierte, dass es Pflicht jedes Christenmenschen, egal welchen Standes, sei, das Heilige Römische Reich gegen äußere Feinde zu verteidigen. Die Aufzeichnungen rund um die Streitereien zwischen König, Adel, Klerus, Bauern und Städten um die Abgabenleistung erinnerten schon vor Maximilian stark an heutige politische Diskussion um das Thema der Macht- und Vermögensverteilung. Der große Unterschied zwischen dem ausgehenden 15. Jahrhundert und den vorhergegangenen Jahrhunderten entstand dadurch, dass dank des modernen Beamtenapparats diese Steuern nun auch exekutiert und eingetrieben werden konnten. Der Vergleich mit der Registrierkassenpflicht, der Besteuerung von Trinkgeldern in der Gastronomie und der Diskussion um die Abschaffung des Bargeldes drängt sich auf. Das Kapital folgte der politischen Bedeutung ebenfalls nach Innsbruck. Während seiner Regentschaft beschäftigte Maximilian 350 Räte, die ihm zur Seite standen. Knapp ein Viertel dieser hochbezahlten Räte stammte aus Tirol. Gesandte und Politiker aus ganz Europa bis zum osmanischen Reich sowie Adelige ließen sich ihren Wohnsitz in Innsbruck bauen oder übernachteten in den Wirtshäusern der Stadt. Ähnlich wie Big Money aus Ölgeschäften heute Fachkräfte aller Art nach Dubai lockt, zogen das Schwazer Silber und die daran hängende Finanzwirtschaft damals Experten aller Art nach Innsbruck, einer kleinen Stadt inmitten der unwirtlichen Alpen.
During Maximilian's reign, Innsbruck underwent structural and infrastructural changes like never before. In addition to the representative Goldenen Dachl he had the Hofburg remodelled, began building the Hofkirche and created Europe's leading armoury with the Innsbruck Armoury. The streets through the old town were paved and paved for the fine people of the court. In 1499 Maximilian had the Salvatorikapelle, ein Spital für notleidende Innsbrucker, die keinen Anspruch auf einen Platz im Stadtspital hatten, renovieren und erweitern. Eine moderne Wasserleitung von der Nordkette in die Stadt verbesserte die Trinkwasserversorgung, Hygiene und Sicherheit. 1509 wurde der innerstädtische Friedhof vom heutigen Domplatz hinter das Stadtspital an den heutigen Adolf-Pichler-Platz umgesiedelt. Maximilian ließ den Handelsweg im heutigen Mariahilf verlegen und verbesserte die Wasserversorgung der Stadt. Eine Feuerordnung für die Stadt Innsbruck folgte 1510. Maximilian begann auch an den Privilegien des Stiftes Wilten, dem größten Grundherrn im heutigen Stadtgebiet, zu sägen. Infrastruktur im Besitz des Klosters wie Mühle, Säge und Sillkanal sollten stärker unter landesfürstliche Kontrolle kommen.
The imperial court and the wealthy civil servants who resided in Innsbruck transformed Innsbruck's appearance and attitude. Maximilian had introduced the distinguished courtly culture of Burgundy of his first wife to Central Europe. Culturally, it was above all his second wife Bianca Maria Sforza who promoted Innsbruck. Not only did the royal wedding take place here, she also resided here for a long time, as the city was closer to her home in Milan than Maximilian's other residences. She brought her entire court with her from the Renaissance metropolis to the German lands north of the Alps. Art and entertainment in all its forms flourished.
Under Maximilian, Innsbruck not only became a cultural centre of the empire, the city also boomed economically. Among other things, Innsbruck was the centre of the postal service in the empire. Maximilian was able to build on the expertise of the gunsmiths who had already established themselves in the foundries in Hötting under his predecessor Siegmund. Platers, foundry operators, powder stampers and cutlers settled in Neustadt, St. Nikolaus, Mühlau, Hötting and along the Sill Canal. The Fugger merchant dynasty maintained an office in Innsbruck. In addition to his favoured love of Tyrolean nature, the treasures such as salt from Hall and silver from Schwaz were at least as dear and useful to him. Maximilian financed his lavish court, his election as king by the electors and the eight-year war against the Republic of Venice by mortgaging the country's mineral resources, among other things.
Innsbruck's strategically favourable location close to the Italian theatres of war also made the city so interesting for the emperor. Many Tyroleans had to enforce the imperial will on the battlefields instead of tilling the fields at home. This only changed in the last years of his reign. In 1511, Maximilian conceded the Tyroleans in the Tiroler LandlibellIn a kind of constitution, they agreed that they could only be called up as soldiers for the defence of their own country. This document also regulated the levying of special taxes in the event of war.
It is difficult to summarise Maximilian's work in Innsbruck. Proclamations of love from an emperor naturally flatter the popular psyche to this day. His material legacy with its many magnificent buildings reinforces this positive image. He turned Innsbruck into an imperial residence city and pushed ahead with the modernisation of the infrastructure. Thanks to the armoury, Innsbruck became the centre of the armaments industry, the treasury of the empire and grew economically and spatially. The debts he incurred for this and the state assets he pledged to the Fuggers left their mark on Tyrol after his death, at least as much as the strict laws he imposed on the common people. He is said to have left behind 5 million guilders in debt, an amount that his Austrian possessions could earn in 20 years. The outstanding payments ruined many businesses and servants after his death, who were left sitting on the imperial promises. Early modern rulers were not bound by the debts of their predecessors. The agreements with the Fuggers were an exception, as liens were attached to them.
In the legends about the emperor, the hard times are not as present as the Goldene Dachl and the soft facts learnt at school. In 2019, the celebrations to mark the 500th anniversary of the death of Innsbruck's most important Habsburg under the motto "Tyrolean at heart, European in spirit". The Viennese were favourably naturalised. Salzburg has Mozart, Innsbruck Maximilian, an emperor that the Tyroleans have adapted to Innsbruck's desired identity as a rugged journeyman who prefers to be in the mountains. Today, his striking face is emblazoned on all kinds of consumer goods, from cheese to ski lifts, the emperor is the inspiration for all kinds of profane things. It is only for political agendas that he is less easy to harness than Andreas Hofer. It is probably easier for the average citizen to identify with a revolutionary landlord than with an emperor.
Friedl with the empty pocket
The Tyrolean Prince Frederick IV (1382 - 1439) lived during a turbulent period in Habsburg and Innsbruck history. Although the Habsburgs had been in the high nobility for some time, their power had not yet been consolidated. Frederick's face was covered with a long beard. In many chronicles and reports, he was described as arbitrary, power-hungry, deceitful and devious. Contemporaries regarded him as Sexaholicwho, when in doubt, did not shy away from violence to enforce his will. This was not unusual, however, if you look at the biographies of other princes of the late Middle Ages. Whether he was a miserly moral scoundrel or a skilful politician and friend of the common man - the key dates of his life would be suitable material for an adventurous medieval film.
At the age of 24, Frederick took over the county of Tyrol as well as the regency of Vorderösterreich. Vorderösterreich? So Vorarlberg? Not quite. Vorderösterreich was understood to mean the Habsburg possessions in Switzerland, Vorarlberg, Alsace and Baden-Württemberg, among others. Tyrol and Vorderösterreich had been administered jointly since Frederick as Upper Austria. This made him one of the most powerful princes of the Heiligen Römischen Reiches. From the beginning of his reign, he was involved in costly wars against hostile powers on the country's borders and competition within the Heiligen Römischen Reiches involved. In the west, the Appenzellers rose up against the Habsburgs, in the south there was an uprising in Trento and Henry of Rottenburg instigated a feud north of the Inn. These were the last conflicts to be fought in the manner of pure knightly armies.
Like his predecessor Margarethe in the princely chair, Frederick also came into conflict with the Pope. In his time, there was a pope in Avignon, France, as well as a pope in Rome. This papal issue was to be resolved at the Council of Constance, perhaps the most important political event of the late Middle Ages in Europe. Frederick sided with John XXIII. The King of the Holy Roman Empire Sigismund from the Luxembourg dynasty, who backed the antipope in Avignon, had his rival within the empire, Frederick, rewarded with the Eight and imprisoned. This meant not only deprivation of liberty and expulsion from the church, but also the loss of his territories and property. His opponents gave him the nickname Friedl mit der leeren Tasche. Once back in Innsbruck after an adventurous escape from prison, Frederick had to grant reforms to the population, especially the landowning lesser nobility and the towns, in recognition of their support in times of great need. In addition to the clergy, the nobility and the towns, the courts, which were responsible for the administration of the rural communities, were also allowed to send their representatives to the Diet.
Frederick's nickname remained in the vernacular, even though at the end of his reign he was one of the richest princes in Europe of his time thanks to the rich mining wealth in Schwaz and Gossensass as well as customs duties and tolls on trade between Venice and Augsburg. The largest silver mine in Europe and the mining industry also had a lasting effect on the social structure of Innsbruck. The power of the guilds increased. Although Innsbruck was dependent on the surrounding area for food supplies, the growing prosperity of the city made it easier to manoeuvre through this time of crisis than in purely rural areas. When Frederick died, Tyrol had risen to become an important province within the Habsburg Empire thanks to the silver discoveries in Schwaz.
His residence also changed. Although Innsbruck had already grown, it was still a small town. Frederick decided to make the city on the Inn his residence. In 1420, he bought two town houses within the city walls. Merano had been the ancestral seat of the Counts of Tyrol and remained the official Tyrolean capital until 1849. In fact, Innsbruck had been in the lead at least since Frederick's move. It was during his reign that the arcades in Herzog-Friedrich-Straße were laid out and the city tower was built. Throughout Europe, the 15th century was an economically difficult time, characterised by poor harvests due to the generally worse climate than in previous periods. However, thanks to trade and the impetus provided by the relocation of the court, Innsbruck flourished against the European trend. Schwaz, Meran and Innsbruck were the centres of Tyrol. Schwaz, like Detroit in the 20th century, was a booming working-class town thanks to the silver mines, the venerable old town of Merano as the capital resembled Washington and the residential and trading city of Innsbruck became the New York of Tyrol, the centre of power at the time.
Along with the court, which comprised around 400 people, came officials, servants, merchants, financiers and soldiers who brought money into the city. Above all, the craft guilds were to become the economic engine and the basis for the later early industrial production. It is difficult to say what specific effect the relocation of the residence had on Innsbruck's population. However, Frederick's court brought with it a new lifestyle with its new way of doing business. Public houses opened and offered variety in everyday life. Travelling theatres and show artists came to the city. As in many European cities in German-speaking countries, urbanisation spilled over from the Italian countries and brought a specialisation of the professional world and an even greater division of labour.
Immigration and the rapid change in the social fabric also caused problems. The xenophobia of the superstitious, often illiterate and poorly educated population did not diminish at the same pace as conditions changed. Tensions between long-established and new citizens, craftsmen, merchants, farmers and members of the court were part of everyday life in Frederick's Innsbruck.
Due to his many disputes with other princes and the Pope, his wealth from customs duties and the Schwaz mines and his probably eccentric character, Frederick IV was regarded by his contemporaries as a kind of robber baron. It was only later that he received a more favourable press due to the many legends that have grown up around his person since then. He is said to have travelled the country disguised as a beggar in order to find out what the people really thought of him. From the reports commissioned by the Habsburgs from the 16th century onwards, he comes off much better. His affectionate nickname Friedl mit der leeren Tasche carries this image of the good-natured, awkward prince of Tyrol right up to the present day.
Türing dynasty of master builders: Innsbruck becomes a cosmopolitan city
Siegmund der Münzreiche was the one who brought Niklas Türing (1427 - 1496) to Innsbruck in the 15th century. He made his first documented appearance in 1488. The Türings were a family of stonemasons and master builders from what is now Swabia, which at the time was part of the Habsburg Monarchy as part of Vorderösterreich. Innsbruck had been the royal seat of the Tyrolean princes for several decades, but the architectural splendour had not yet arrived north of the Alps. The city was a collection of wooden houses and not very prestigious. Golden times were dawning for craftsmen and master builders, which were to gather even more momentum under Maximilian. There was a real building boom. Aristocrats wanted to have a residence in the city in order to be as close as possible to the centre of power. In the days before the press, a functioning postal system, fax and e-mail, politics was mainly played out through direct contact.
The Türings made a career in step with the city. It is reported from 1497 that Niklas Türing was in the service of the sovereign as a "paid court mason". When he died in 1517 or 1518, it is not known for certain, he was listed on his gravestone as "Roman imperial majesty's chief foreman" is the title. Together with his son Gregor, he was listed as a master stonemason. This enabled the Türings to acquire citizenship in Innsbruck. By 1506 at the latest, they had a house in the workers' and craftsmen's neighbourhood Anbruggen. In 1509, they were able to acquire the house of today's Gasthof zum Lamm in Mariahilfstraße. Further property was added at what is now Schlossergasse 21.
In the course of the late Middle Ages, the early Gothic period and later the Renaissance gave Europe a new architectural guise with a new understanding of architecture and aesthetics. Buildings such as Notre Dame or the Minster of York set the trend that would characterise the whole of Europe until the onset of the Baroque period. Pointed towers, ribbed vaults, bay windows and playful carvings depicting everyday courtly life are some of the typical features that make the heterogeneous style recognisable. The work of the Türings can be traced particularly well in the old town centre. Many of the town houses, such as the Trautsonhaus still have Gothic ground plans, inner courtyards and carvings.
The Türings left their mark on Gothic Innsbruck in the transitional period between the Middle Ages and early modern times. Thanks to their training, they combined an eye for the big picture and details in their building projects. They were known for their particularly fine stonework, which resulted in ornate portals, arcades, staircases and vaults. They produced relief jewellery with patterns in the typical style of Renaissance art. Grotesques, vases and depictions of animals were typical ways of decorating bay windows and smooth walls. The symmetrical arrangement of the individual elements is also a characteristic of the period.
Niklas Türing is the Goldene Dachl to a large extent. He also created the statue of the Burgriesen Haidla particularly tall member of Siegmund's bodyguard, which can be seen today in the city tower. Emperor Maximilian held him in such high esteem that he allowed him to display the family coat of arms of the Türings and his wife, a fountain and a fish, in the vault of the Goldenen Dachls to immortalise him. His son Gregor immortalised himself with the Trautsonhaus in der Herzog-Friedrich-Straße und am Burgriesenhaus in the Domgasse. The last of the Türings to have an influence on the Innsbruck building scene was Niklas Türing the Younger, who began planning the Hofkirche together with Andrea Crivelli. In the 16th and 17th centuries, the influence of the Gothic style began to wane, especially in what is now Austria. Churches in particular were increasingly remodelled and rebuilt in the Baroque style as part of the Counter-Reformation. Today, Türingstraße in the east of Innsbruck is a reminder of the early modern dynasty of master builders.
Innsbruck and the House of Habsburg
Today, Innsbruck's city centre is characterised by buildings and monuments that commemorate the Habsburg family. For many centuries, the Habsburgs were a European ruling dynasty whose sphere of influence included a wide variety of territories. At the zenith of their power, they were the rulers of a "Reich, in dem die Sonne nie untergeht". Through wars and skilful marriage and power politics, they sat at the levers of power between South America and the Ukraine in various eras. Innsbruck was repeatedly the centre of power for this dynasty. The relationship was particularly intense between the 15th and 17th centuries. Due to its strategically favourable location between the Italian cities and German centres such as Augsburg and Regensburg, Innsbruck was given a special place in the empire at the latest after its elevation to a royal seat under Emperor Maximilian.
Tyrol was a province and, as a conservative region, usually favoured the dynasty. Even after its time as a royal seat, the birth of new children of the ruling family was celebrated with parades and processions, deaths were mourned in memorial masses and archdukes, kings and emperors were immortalised in public spaces with statues and pictures. The Habsburgs also valued the loyalty of their Alpine subjects to the Nibelung. In the 19th century, the Jesuit Hartmann Grisar wrote the following about the celebrations to mark the birth of Archduke Leopold in 1716:
„But what an imposing sight it was when, as night fell, the Abbot of Wilten held the final religious function in front of St Anne's Column, which had been consecrated by the blood of the country, surrounded by rows of students and the packed crowd; when, by the light of thousands of burning lights and torches, the whole town, together with the studying youth, the hope of the country, implored heaven for a blessing for the Emperor's newborn first son.“
Its inaccessible location made it the perfect refuge in troubled and crisis-ridden times. Charles V (1500 - 1558) fled during a conflict with the Protestant Schmalkaldischen Bund to Innsbruck for some time. Ferdinand I (1793 - 1875) allowed his family to stay in Innsbruck, far away from the Ottoman threat in eastern Austria. Shortly before his coronation in the turbulent summer of the 1848 revolution, Franz Josef I enjoyed the seclusion of Innsbruck together with his brother Maximilian, who was later shot by insurgent nationalists as Emperor of Mexico. A plaque at the Alpengasthof Heiligwasser above Igls reminds us that the monarch spent the night here as part of his ascent of the Patscherkofel. Some of the Tyrolean sovereigns from the House of Habsburg had no special relationship with Tyrol, nor did they have any particular affection for this German land. Ferdinand I (1503 - 1564) was educated at the Spanish court. Maximilian's grandson Charles V had grown up in Burgundy. When he set foot on Spanish soil for the first time at the age of 17 to take over his mother Joan's inheritance of the kingdoms of Castile and Aragon, he did not speak a word of Spanish. When he was elected German Emperor in 1519, he did not speak a word of German.
Not all Habsburgs were happy to be „allowed“ to be in Innsbruck. Married princes and princesses such as Maximilian's second wife Bianca Maria Sforza or Ferdinand II's second wife Anna Caterina Gonzaga were stranded in the harsh, German-speaking mountains after the wedding without being asked. If you also imagine what a move and marriage from Italy to Tyrol to a foreign man meant for a teenager, you can imagine how difficult life was for the princesses. Until the 20th century, children of the aristocracy were primarily brought up to be politically married. There was no opposition to this. One might imagine courtly life to be ostentatious, but privacy was not provided for in all this luxury.
Innsbruck experienced its Habsburg heyday when the city was the main residence of the Tyrolean sovereigns. Ferdinand II, Maximilian III and Leopold V and their wives left their mark on the city during their reigns. When Sigismund Franz von Habsburg (1630 - 1665) died childless as the last sovereign prince, the title of residence city was also history and Tyrol was ruled by a governor. Tyrolean mining had lost its importance and did not require any special attention. Shortly afterwards, the Habsburgs lost their possessions in Western Europe along with Spain and Burgundy, which moved Innsbruck from the centre to the periphery of the empire. In the Austro-Hungarian Monarchy of the 19th century, Innsbruck was the western outpost of a huge empire that stretched as far as today's Ukraine. Franz Josef I (1830 - 1916) ruled over a multi-ethnic empire between 1848 and 1916. However, his neo-absolutist concept of rule was out of date. Although Austria had had a parliament and a constitution since 1867, the emperor regarded this government as "his". Ministers were responsible to the emperor, who was above the government. In the second half of the 19th century, the ailing empire collapsed. On 28 October 1918, the Republic of Czechoslovakia was proclaimed, and on 29 October, Croats, Slovenes and Serbs left the monarchy. The last Emperor Charles abdicated on 11 November. On 12 November, "Deutschösterreich zur demokratischen Republik, in der alle Gewalt vom Volke ausgeht“. The chapter of the Habsburgs was over.
Despite all the national, economic and democratic problems that existed in the multi-ethnic states that were subject to the Habsburgs in various compositions and forms, the subsequent nation states were sometimes much less successful in reconciling the interests of minorities and cultural differences within their territories. Since the eastward enlargement of the EU, the Habsburg monarchy has been seen by some well-meaning historians as a pre-modern predecessor of the European Union. Together with the Catholic Church, the Habsburgs shaped the public sphere through architecture, art and culture. Goldenes DachlThe Hofburg, the Triumphal Gate, Ambras Castle, the Leopold Fountain and many other buildings still remind us of the presence of the most important ruling dynasty in European history in Innsbruck.